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LIBRARY 


M. KNOEDLER & CO, 
556-8 FIFTH AVE, — 


NEW YORK 


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COLLECTION 


OF THE AMATEURS | 


MR. WALTER MANCHESTER 


: AND 
a Miss. i. M. MANCHESTER 


OF BERKELEY, CALIFORNIA 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


3 ~on WEDNESDAY AND THURSDAY AFTER- 
eae NOONS, APRIL 16TH AND 17TH 


AT 2.80 O’CLOCK 


AND THURSDAY EVENING, APRIL 17TH 
AT 8.15 O'CLOCK 


_ AT THE AMERICAN ART GALLERIES 
rh MADISON SQUARE SOUTH 
NEW YORK 


CATALOGUE 


OF THE 


- ORIENTAL ART OBJECTS 


FINE JAPANESE COLOR PRINTS, ETCHINGS 
AND ENGRAVINGS sy REMBRANDT, DURER 
AND OTHERS, WATER COLORS BY 
J. M.W. TURNER, AND PAINTINGS 
AND DRAWINGS 


COLLECTED BY THE AMATEURS 


MR. WALTER MANCHESTER 


; AND 
MISS IDA M. MANCHESTER 


OF BERKELEY, CALIFORNIA 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


ON THE DATES HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY 
OF 
THE AMERICAN ART ASSOCIATION, Manacers 
MADISON SQUARE SOUTH 
NEW YORK 
1913 


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CONDITIONS OF SALE 


1. The highest Bidder to be the Buyer, and if any dispute 
arise between two or more Bidders, the Lot so in dispute shall be 
immediately put up again and re-sold. 

2. The Auctioneer reserves the right to reject any bid which 
is merely a nominal or fractional advance, and therefore, in his 
judgment, likely to affect the Sale injuriously. 

3. The Purchasers to give their names and addresses, and to 
pay down a cash deposit, or the whole of the Purchase-money, if 
required, in default of which the Lot or Lots so purchased to be 
immediately put up again and re-sold. 

4. The Lots to be taken away at the Buyer’s Expense and Risk 
within twenty-four hours from the conclusion of the Sale, unless 
otherwise specified by the Auctioneer or Managers previous to or 
at the time of Sale, and the remainder of the Purchase-money to 
be absolutely paid, or otherwise settled for to the satisfaction 
of the Auctioneer, on or before delivery, in default of which the 
undersigned will not hold themselves responsible if the Lots be 
lost, stolen, damaged, or destroyed, but they will be left at the 
sole risk of the purchaser. 

5. While the undersigned will not hold themselves responsible 
for the correctness of the description, genuineness, or authen- 
ticity of, or any fault or defect in, any Lot, and make no War- 
ranty whatever, they will, upon receiving previous to date of 
Sale trustworthy expert opinion in writing that any Painting 
or other Work of Art is not what it is represented to be, use 
every effort on their part to furnish proof to the contrary; fail- 
ing in which, the object or objects in question will be sold sub- 
ject to the declaration of the aforesaid expert, he being liable 
to the Owner or Owners thereof for damage or injury occasioned 
thereby. . 

6. To prevent inaccuracy in delivery, and inconvenience in the 
settlement of the Purchases, no Lot can, on any account, be re- 
moved during the Sale. 

7. Upon failure to comply with the above conditions, the money 
deposited in part payment shall be forfeited; all Lots uncleared 
within one day from conclusion of Sale (unless otherwise specified 
as above) shall be re-sold by public or private sale, without further 
notice, and the deficiency (if any) attending such re-sale shall be 
made good by the defaulter at this Sale, together with all charges 
attending the same. This Condition is without prejudice to the 
right of the Auctioneer to enforce the contract made at this Sale 
anithout such re-sale, if he thinks fit. 

8. The Undersigned are in no manner connected with the 
business of the cartage or packing and shipping of purchases, 
and although they will afford to purchasers every facility for em- 
ploying careful carriers and packers, they will not hold themselves 
responsible for the acts and charges of the parties engaged for 
such services. 


Tur AMERICAN ART ASSOCIATION, Mawnacers. 
THOMAS E. KIRBY, AvcrTioneEeEr. . 


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CATALOGUE 


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FIRST AFTERNOON’S SALE 
WEDNESDAY, APRIL 16, 1913 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 o’CLOCK 


(PROPERTY OF MR. WALTER MANCHESTER) 
JAPANESE PORCELAINS 


1—Miniature Kaca Cur — 

». Octagonal. Plain red ground with gold decoration of the 
ee symbols of long life. 
2—Pair JAPANESE PORCELAIN SAUCERS 


Penciled blue leaves, red and gold flowers, on a white ground; 
/ ~~ delicate coloring. 


3—Pair JAPANESE PoRCELAIN SAUCERS 


Scattered emblems in delicate colorings and penciled gold. 


(em) 
‘7 4—Kaca Cup anp SAucER 
Red and gold bands, with blue and white diapered bands. 


5—Parr Unusvat Kutant SMAty Puiates 
Octagonal. Tigers, with green leaves and peonies and 
) 52 finely penciled fret pattern and other ornament. Red and 
—~~_ gold and bright green. 


6—F ive Kaca Saxet Cups — 


5. Red and gold panels, with maroon-colored floral sprays on 
As 4 white eereneced ground. 


{—Smauy Wuirte Trerort Disx | 
Tripod; old Japanese ivory-white crackle porcelain, with 

3 v¢ duck in water in colors. Angles tipped with green leaves. 
Has teakwood stand. | 


8—Kaca 'TEapor 
—2¢:. Pipkin form. Sparrows and border designs penciled in 
black and gold on a red ground. 


9—Smaty Ovirorm VasE 

Mikawa-uchi. Eighteenth century. Scattered emblems 

/ 2 and clouds, GeCateLy painted in underglaze blue, coral red 
— and gold. 


Height, 33/4, inches. 


10—CoverEep Box 


Fine old Nabeshima. Conventional decoration penciled in 
é¥ gray, blue, green and gold on a white ground. 
Height, 3%, inches. 


11—Parr Arira DisHEs 


Green clouds and red flowers in white center panels. Deep, 


curved, blue scroll borders. 
a a Length, 8 inches; width, 4 inches. 


12—Coverep Ricr Bowx 


Hizen. Seventeenth century. Dark blue grasses with red 
jo and green flowers on white ground. “Premiére qualité colo-_ 
ROCs al 

Diameter, 4 inches. 


 -:18—Sevare Disu. 
Seiji ware. Central landscape in green, blue, violet and 


ie red. Diapered border with narrow panels of fruit and 
i if 00 leaves. 


7%, inches square. 


14—Seavare Kutanr Bow1 
Red all-over designs with foliated white panels of playing 


jai ae children, in blue and other colors. 
Height, 314 inches. 


15—Pair or Puates 


Kakeyemon. Seventeenth century. White ground. Blue 
a rocks, with birds, flowers and grasses in scarlet and green. 
Indented edges. 


Diameter, 8 inches. 


16—NaBESHIMA Disx 
. Floral spray in orange, green and blue, and bands of wave 
5 <¢ ~~ —pattern in underglaze blue. 


Diameter, 814 inches. 


‘ 17—Otp Imartr Pirate 
Border of alternate dark blue and red medallions, inter- 
eee spersed with floral patterns. Natural sprays in the center 
crossed by dark blue and gold bands. 


Diameter, 10 inches. 


18—Imari Puate 


Scalloped edge. Pine tree, bird, and white foliated panels, 


2 90 in a conventional border of many colors, and gilding. 
Diameter, 91, inches. 


19—O.p Imari Prats 
Borders of alternate dark blue and red circles, interspersed 
_,, with blue and red flowers, with gold. Natural sprays in 
O == the center crossed by dark blue and gold bands on white 


ground. 
Diameter, 10 inches. 


290—PotyconaL Derr Puate 


Kakeyemon. Seventeenth century. Buff rim, green bamboo 
4 <2 tree, red birds, and floral patterns in red, green and blue. 


Diameter, 834, inches. 


21—Pair Oxp Imari DisHeEs 


Bold floral sprays in orange, green and blue. 
i vu Diameter, 84 inches. 


92—_Imart PLATE 


Pierced edge. Central vase of peonies and floral borders in 


74a various brilliant colors and gilding. 
Diameter, 914 inches. 


23—Parr Larce Porcetatn Puates 
Kakeyemon. Seventeenth century. Hawthorn tree; flow- 
ers and flying birds on one, scattered floral sprays on the 
o Lo other, in various colors. Narrow conventional borders with 
foliated inner edges. 4 
Diameter, 12 inches. 


24—Coverep Ricr Jar 
Mokubé (?). Coral-red ground, with an elaborate decora- 
_, tion of numerous figures, sacred elephant and ceremonial 
ee and festive gatherings, in brilliant tones of green and yellow 
and gilding. | 
Height, 7, inches. 


25—F ine Oxp Imari Gincer Jar 


Covered with leaves, branches and dark blue “Ki-lin,” inter- 
mingled with Howo birds and peonies, in red, blue and gold 


Oe on a white ground. Has carved teakwood cover and stand. — 


Height, 81% inches. 


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JAPANESE BLUE AND WHITE PORCELAINS 


96—Smatyt Donacui Perrume Box 


Diamond shape with pointed cover. 


Gourds in outline and 
dark blue. 
_ : 
27—Sake Por ‘ 
Storks and emblems in underglaze blue. 
28—Turee Buve anp Waite Saucers 
fs Seated figure and garden scene in center. Floral borders. 


99—Buvur anp Wuitr Perrume Burner 


Mikawachi. Conventional border finely penciled round the 
a ie base. Ivory lid. 


30—BuvE anp Wuirt Bownu 


Decoration of Tokugawa crests in dark blue circles, pen- 
nes ciled in brilliant blue. 


Diameter, 41 inches. 


$1—Buve anp Wutre Trirvop PErrume BuRNER 
Fine old Kyoto. 
2$v_ dark cobalt-blue. 


Bamboo, pine, and blossoming plum in 
Has teakwood lid with chalcedony knob. 


382—Smatyu CyLInpDRICAL TRIPOD JAR 


Nabeshima. Landscape and river view in underglaze blue. 
oo Has carved teakwood lid with crystal knob. 


Height, 3 inches. 


$3—BuveE anp Wuirer Disu 


On low foot. Decoration of millet, finely painted in two 
y 37 shades of blue. Symbols on the outer edge. 


Diameter, 6 inches. 


34—Buive anp Waite Bow. 
Mikawachi. Three Imperial crests in blue outline, upon a 
[sv light blue diagonal trellis of bamboo boughs, with dark 
blue leaves and sparrows interspersed. 


Diameter, 41% inches. 


35—SauaRE BuvE anp Wuirtet Box 


Dome lid. Opaque blue ground, with butterflies and cloud 


is ud forms in reserve. 


36—Buvur anp Wuirr Box 


Shaped as an obi knot. Opaque blue ground, with peonies 
‘and scrolls in reserve. : 


37—Imari Buve anp Wuite OctracGonat Disu 
Two dragons in combat over the water, cloud forms and 
emblem in center, and diapered borders with white blos- 
oF OO coms) Pointed but edge. | 
Width, 8 inches; length, 1114 inches. 


$8—Imari Buur anp Waite Puate 


Floral spray and rocks in white center. Outer border with 


rain peony and scroll design. Scalloped edge. 


OLD AND MODERN SATSUMA 
DECORATED AND UNDECORATED SPECIMENS 


39—SmaLyu Satsuma Coverep VasE 
Oviform, with foliated base. Elaborately brocaded ground, 
LL 4 with three panels enclosing floral sprays. Carved silver lid, 
- topped with a natural peony blossom in full relief. 
Height, 3% inches. 


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Diameter, 10 inches. | 


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: 40—Oxp Sarsuma Coverep Box 
Shaped as a lotus bud, covered with blue eeoinel: Decora- 
tion, three medallions filled with flowers and grasses, in vari- 

| ous colors and gilding on a finely crackled ground. Im- 

7 ~— pressed mark Ninsei. 


Diameter, 21%, by 2% inches. 


‘ are 41—Satsuma Samat Koro 

: cr Rich green ground, scattered with black spots and red and 
‘4 —___ plue archaic scrolls. Pierced silver lid. 

; | 


42—Sarsuma Perrume Box 
/ Crackled glaze, decorated in warm tan shades with ranges 
; o ¢¢ of hills intermingled with white blossoming trees. Signed: 
ere Kenzan. 
hate 
| i 
48—O.p Satsuma SMaryt TEapor 
Kinkozan. Seventeenth century. Square, with flat top and 
Y od round lid. Rich gray-brown crackle, with hanging sprays 
. of bamboo and plum blossoms in bright blue and green. 


t Braided wire handle. 


44—O.p Satsuma TEa-sar 
Highly glazed in cream white and finely crackled, showing 
cia the biscuit toward the base, but glazed underneath. Ivory 
lid. 
Height, 3 inches. 


45—Oup Satsuma TrEapot 
Kinkozan. Seventeenth century. Square at one end, with 
Ui, ¢o slightly curved sides merging into the pointed spout at the 
other and flattened below. An exposed horizontal strainer 
across the pointed end; flat lid with a T-shaped knob. 
Decoration, blue reeds and brown dragon-flies. Twisted 
handle branching to one side. Finely crackled brown glaze. 


Length, 434 inches. 


46—Smaryu Bow. 
Gray even crackle. Panels with flowers, ornament and 
2 %° upper border roughly sketched in dark brown brush strokes. 
Has teakwood stand. 


47—Oxup Satsuma SmAutu TEApror 


Globular, with five conventional blossoms in red, green and 


ye blue enamels and gilding over a light brown glaze which is_ 
(geae minutely crackled throughout. Dragon handle touched 


with green enamel and gold. 


48—Oup Satsuma Koro 


ys «¢ In form of a rabbit, with silver ears for the cover. 


49—Moprern Satsuma GuLoBuLAR BotTrie 


Wreathed with gold and green crests and Howo birds. Also 
; a brocaded collar in gold and delicate colors. Fine even 
tt crackle. By Tozan. Has teakwood stand. 


50—Satsuma SMALL Trieop Koro 
Flattened globular shape. Floral panels, richly brocaded 
in enamels and gilding, with reserve of chrysanthemums. 


Sas, 
O Has silver lid. 


51—Oup Satsuma TEA-BOWL 


Undecorated. Covered with a warm old-ivory crackle of 
a 60 fine quality. Has teakwood stand. 


52—MopErn Satsuma Koro 


Globular shape on tripod. Thickly hanging sprays of flow- 
AO = ers in many colors, enriched by gold. Brocade border un- 
derneath in black and gold. Silver domed cover, in champ- 
levé. By a pupil of Meizan. 


RMU ee Ty me eg t ey oe ete e 


~ 58—Otxp Satsuma Ovirorm Jar 
Long panels, brocaded and diapered in rich colors and gold. 
a Pierced and repoussé chased silver lid. Has carved teak- 


60 
“a = wood stand. 
Height, 41%, inches. 


54—Movern Satsuma Tra-Bown 
| Microscopically and skilfully decorated. The inner and 
se outer surface covered with blossoms and flowers and medal- 
~ lions enclosing many minute figures. Jeweled and brocaded 
upper border. By a pupil of Meizan. 


55—Oup Satsuma TrEA4-Bow1L 
Minutely crackled brown glaze. Conventional scrolls on the 
pa. lower portion, filled with brocade designs in gold and colors. 
Sprays of flowers above, outside and in. 


From the De Goncourt Collection, Paris. 
Diameter, 41 inches. 


56—O.xp Satsuma TEA-BowL 
Various colored stripes narrowing toward the base and 
gst groups of spirals inside and out, applied over a minutely 
crackled old ivory glaze. Has teakwood stand. 


Diameter, 41%, inches. 
2 


57—O.p Satsuma Bow. 
Creamy white crackle glaze. The outer surface decorated 
with three groups of flowers in landscape and the inner 
oe he with a handsome fringed border; three crests of the Prince 
of Satsuma; all in rich colors enhanced by gilding. Un- 
derneath the foot in dark blue the crest of the Prince of 


Satsuma and inscription in gold. 
Diameter, 6%, inches. 


58—Otp Satsuma Disu 
Resembling one overlying another. The under one of plain 
_, 9, blue enamel; on the other, hanging sprays of cherry 
—~ blossoms, and swastika fret, delicately painted in red, sales 
and gilding over a soft cream-white crackle glaze. 


59—Satsuma PEAR-SHAPED JAR 
With its original stopper. Even gray crackle, with brown — 
oe storks in flight and blue pine branches in outline. By Tai 


San. 
Height, 4 inches. 


60—Otp Satsuma TEarot 
Dome shape, thickly covered with small plum blossoms in 
ELe red, blue and gold, artistically executed over a minutely 
~~ crackled glaze. 


61—Oup Satsuma TEApor , 

Cone-shaped. Decorated with circular fans, cords and tas- 

Lh. go sels, with upper and lower rosette bands in light blue and 
~~ other enamels over a minutely crackled brown glaze. 


62—Oxp Satsuma Trivop Traror 
Fluted to represent a chrysanthemum blossom from which, 
med underneath, the handle or stalk emerges. Decorated with 
small sprays of chrysanthemums painted in red and other 
colors upon a crackled gray glaze. Brocade bands round 
the neck and stopper in brilliant enamels. 


63—O.p Satsuma TEaror 
Pear shape. Covered with a rich brown glaze which is 
/% minutely crackled throughout. Has small engraved silver 


stopper. 
Height, 5 inches. 


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 64—Mopern Trivop TEaror 


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Flattened body, which is entirely covered with many panels 


i _ of various subjects on a gold speckled ground. Gold fret 
7. 


and rosette borders round the lid, and underneath are three 
sprays of colored flowers on the finest crackled glaze. High 
arched silver handle. A fine specimen of Meizan’s work. 


65—O.Lp Decora TEapor 


d 


——— 


Pipkin form. Enameled dancing figures in grotesque 
masks. Upper and lower bands painted in red. Signed by 
Bizan. 


66—O.p Satsuma TEAPOT 


ao? 


—S 


Undecorated. With straight neck and long spout. Cov- 
ered with a brown crackle glaze. Has teakwood stopper. 


67—Satsuma Seuare Koro 


On four protruding and pointed feet and with two rudi- 


mentary handles. In two indented panels are dainty flow- 
ers and wicker fences delicately painted in red, blue and 
gold, and on the two sides are rich brocade bands and bor- 
ders. A golden gourd in relief on a square lid bordered 
with fret pattern. Signed by Hododa. 


68—Satsuma Trrrop Koro 


pS 


3 


Formed as a lotus blossom with sharply pointed petals which 
are decorated in blue and yellow enamels. Broad flat top, 
of a light green and gold scroll design, with colored flow- 


ers, and a pierced circular lid representing the seed pod. 


An under-hand of petals in brilliant enamel, with green feet. 
Has carved teakwood tall stand. 


69—Watrt Frower VAsE 


Go 


In the form of a Japanese gift favor. Gray glaze with 
brocade decoration all over in enamel colors and gilding, 
tied round the center with knotted bow, in full relief. Old 
Kutani. (Repaired.) 

Length, 111% inches. 


a tS A ee ee 


70—Oup Kyoto Borrie 
Globular with slender straight neck. Covered with a brown 
¢% crackle glaze and decorated with two Tokugawa crests in — 


gold. 
Height, 61%, inches. 


71—Oup Satsuma Sake Botrre © 
With flange lip. Decorated with blue and brown pine 


(6 42%. sprays in outline. q 
Height, 6% inches. 


72—Oup Kyoto Saxe Botte 
se Tall form with short neck. Decorated with hanging sprays 


ou 
5 — of pink blossoms and buds in relief enamels. 
Height, 61%, inches. 


73—O.p Satsuma Piate 
/ Decoration, a simple spray of jonquils in brilliant enamel 
s “*- colors and gilding. Soft ivory-white crackle ground Be | 
dered with disks in low relief. 
From the collection of Dr. Ernest Hart, London. 


Diameter, 81%, inches. 


74—Awata Trieop Spice BorLer 
Gourd form in double tiers, with pierced ‘‘Ki-lin” handles. 
Striped in panels with bamboo stalks interspaced with 
Lf hawthorn sprays and Imperial crests in delicate blue and 


green enamels, enriched by gilding. : 
5 by 5% inches. 


75—Satsuma CoveRepD JAR 
In the form of a temple bell. Bosses round the shoulder. 
6 ¢¢ Rich brocade design and narrow panels and bands in bril- 
liant enamel colors and gilding. Pierced cover with handle 


of united dragons. 
Height, 7 inches. 


%6—Oup Satsuma TEAporT 


Vise 


Cylindrical, in design of a rolled scroll tied with cord. 
Richly and profusely decorated with brocade designs in 
brilhant enamels enriched by gilding. Spout tipped with a 


rooster’s head. 
Height, 61, inches. 


7i/—Lareg Ninser Jar 


V7 


Globular shape with bale. All-over decoration of scroll de- 
sign, in bright green and gold, with blue and gold rosettes, 
and encircled with foliated medallions enclosing red and 
yellow rosettes upon alternate grounds of the glaze and 
blue enamel. The lid surmounted by a spray of bursting 
pomegranates, modeled in full relief. 

From the collection of Dr. Ernest Hart, London. 


Height, 11 inches; diameter, 9 inches. 


78—LarcrE Oxup Satsuma VASE 


TO 


Tall hexagonal form, with short neck and receding base. 
Decoration, six long panels, each containing a single stand- 
ing figure in brilliant enamels. Neck and shoulder encir- 
cled with light blue bands and striped with green and yel- 
low flowers on a red ground. Even crackle. 

Height, 14 inches. 


JAPANESE TEA JARS AND VARIOUS OBJECTS 


Y9—GtLoBuLAR TEA-JAR 


yo 


Old Bizen. Dull brown glaze, with tan-color spots. 


80—GLoBULAR TEA-JAR 


‘ated 


Old Higo. Dull iron-rust glaze, with an overrunning glaze 
of brown. 


81—Rare TEa-sar : 
Undulating in rings from top to bottom: A brilliant dark 
i e brown glaze over a rich red paste of the finest quality 
flecked with iridescent green and blue spots. Ivory lid, and 
green knitted silk bag to fit. 


82—Oxp Tampa CYLINDRICAL TEA-JAR = 


Coated with a mottled brown glaze of brilliant opaque 
i a quality. Has ivory lid. 


83—Ovirorm TEA-JAR 
Invested with an apple-green glaze of opaque quality. Has 
/ ( — ivory lid. 


84—OLp Japanese Porcetain Botrie 
; Pentagonal shape, with short neck and circular base. In- 
g <2. vested with a sapphire-blue glaze of brilliant uniform 
quality. | 
Height, 31%, inches. 
85—Oup Bizen Trreop Koro 


ee In fine dark brown clay, finely carved with dragons, clouds 
and brocade designs, in slight relief. Has silver lid. 


86—F ine Inzumo Smauu Vase 
Enameled with a brilliant dark brown glaze splashed with 
pysats tea color. : 
Height, 314 inches. 
87—Trirop Koro 


Globular shape. Enameled with a celadon glass in imita- 
/ 342 tion of old Seiji ware. Chased and openwork silver lid. 


Height, 414 inches. 


88—OLp JAPANESE TEA-BOWL 


Gray crackle glaze. Mark impressed of a wheel and finger- 


re co =© mark. 
Height, 41, inches; diameter, 3 inches. 


89—Oxp Taxatrori TEA-BOWL 


7 Cone shaped. Dark blue-green glaze on the outer surface, 
Wi ; Which is flecked and mottled with grayish yellow. On the 

~~ inner surface a glaze of russet brown and a large dragon- 
fly in light gray with a dark brown outline. 


Diameter, 434 inches. 


90—Oxp Kisuiv Tzaror 
. Modeled in the form of a section of bamboo and coated 
[ ¢¢ with a glaze of brilliant green, mottled and splashed with 


yellow and purple. 
Height, 7 inches. 


91—-Se1g1 QUADRILATERAL JAR 

Tree peonies, butterflies, rocks and grasses carved in relief 
é a se 

pat —_ in the paste under an opaque sea-green celadon glaze. Has 


carved teakwood stand. 
Height, 5% inches. 


(PROPERTY OF MISS IDA M. MANCHESTER) 


CABINET OBJECTS 


92—-Parr or Minrature VASsEs 


Modern Satsuma. Microscopically decorated with figures 
(- go of Japanese dyers, hanging and displaying strips of their 
product. Signed by Meizan. 


93—O.Lp Satsuma Mintature Koro 


Su Undecorated. Cream glaze, with seated dog on the lid and 
Bin two scroll handles. 


94—O.p Satsuma Gourp-sHAPeD BoTTLE wITH STOPPER 
Decoration of chrysanthemum blossoms, in brilliant enamel 
U %  eolors and gilding, with neck and stopper in blue enamel. 


Height, 4 inches. 


95—Patr Mopern Satsuma Miniature Botrrues 


se gilding. Chrysanthemum flowers round the shoulders. 


Signed by Meizan. 


/ Decoration of children’s procession in enamel colors and 


96—Pair Oxtp Satsuma Firerrty Caces 
es Pierced basket design. Rich decoration representing a 
°~ —~ printed cloth or brocade, knotted round the handles, in 
various colored enamels and gilding. 


97—Pair Mopern Satsuma Miniature Breakers 
,. Decorated with miniature figures, floral motives and bro- 
ete cade patterns, delicately penciled in enamel colors and gild- 
ing. Signed by Meizan. 
Height, 334 inches. 


98—Parr Miniature Gourp Botrries 


Nankin porcelain. Decorated in underglaze blue. Have 
ve Z ¢* carved teakwood stands. 


99—Pair EccsHetit, Curs anp SAUCERS 


Old Chinese. Long Elizas and floral sprays in dark blue. 
/e-**. Cheng-hua mark. 


100—Smatzt Buus anp Wuitr TEAporT 
oe Dragons in dark blue. Signed by Makuza Kozan. 
101—Parr SmMaAatyt SAcRIFICIAL Cups 


yous 


Chinese semi-eggshell porcelain. Dragon medallions in fine 
underglaze blue. Six-character mark of K’ang-hsi. 


102—Pair EcesHeti Wine Cours © 


Lotus plants in yellow and underglaze blue. Six-character 
/O3 ‘2 mark of K’ang-hsi period. 


es 
Oe ee 


ee 


a A rie me wr ewe ee eee pete eee re i” 
Perot a ee 


— 


103—Patr or Smaty Buve anp Waite Pirates 
ae Soft-paste type. Landscape medallions and conventional 
ae a6 borders in two shades of underglaze blue. Ch’ien-lung 
: period. 


104—Buve anv Wuire Bow. 
Semi-egeshell porcelain of the K’ang-hsi period. Chinese 
pee “<__—_ garden scene with figures painted in fine underglaze blue. 
Character mark of the period and a Chinese inscription. 


Diameter, 41, inches. 


105—BuveE and Waite Borrie-sHarep VAsE 
re Of the Ch’ien-lung period and soft-paste type. Flowers 
~—— and foliated scrolls in dark blue, and borders of gadroons 
and palmettes in two shades of underglaze blue. Has teak- 


wood stand. 
Height, 51% inches. 


106—Ivory Netsuke 
The Six Poets. Signed by Isesai Naomitsu. 
iat 


FINE OLD AND MODERN JAPANESE 
CARVINGS 


107—Ivory Netsuke 
Palanquin and seated lady within, monkey and Oni carriers. 
i g *“ Emblems on the roof. Subject, Kintoki. Signed by 
Shinsai. 


108—Ivory Netsuke 
io 29 Pair of clam shells, half open, with Benten and fish seated 
within. Signed by Mitsu oh. 


109—Ivory NETSUKE 
Daruma, stretching, and two annoying Oni. Signed by 
Kigiyoku. 


e 
ot Je 


—— 


110—Ivory NetsvuKxe 
vy. Oni rowing a lotus-leaf boat, intricately carved. Signed 
/ a ~ by Giyokugetsu. | 


111—Ivory NeEtTsuKeE | 
/ ge Kwanon seated on a rock, regarding a child’s offering at 
~~ her feet. Signed by Itsukosai. 


112—Japanese Ivory Carvine Mies 
/ { ve A blind man with child and monkey. Signed by Seizan. 

113—Japangese Ivory Carvine 
A gardener with potting plants. Signed by Seikoku. 
ree 

114— Japanese Ivory Carvine 

., & fisherman with basket of abalone shells. Signed by 


2 St Muneshige. 
Height, 234, inches. 


115—JapaneEsE Ivory Carvine 


o-7so <A processional car surmounted by a minute figure of 
‘ “~~ Kwanon, drawn by an ox and surrounded by dancing 
skeletons and Oni. Subject: Gionmatsuri, by Mitsuchika. 

Height, 2%, inches. 


116—JaApaneEse Ivory Carvine 


/ we A boy propelling a laden pontoon. 
| Length, 41, inches. 


117—Ivory Netsvuxe 
A recumbent ox, beside him a sleeping child. Signed by 


Vig ad 
/ —  Tomotada. 
Length, 234 inches. 


118—Japranese Ivory Carvine 
A cooper at work, his child at play. Signed by Okawa 
a) ae Muneyasu. 


A 119—Jaranzse Ivory Carvine 


The dollmaker admiring a specimen of his work. Signed by 
Muneyoshi. 


Height, 314 inches; width, 2%, inches. 


/120—Jarannse Ivory Carvine 

y ay A seated male figure playing samisen. Signed Okawa 
ae i —— Munetami. 

Height, 4 inches 


—  —-« 121—Japanuse Ivory Carvine 


, A window-frame maker at work. Signed by Okawa Seiko. 
eee. 


Height, 21%, inches; width, 31% inches. 


122—JapanesE Ivory Carvine 


i A rat hunter killing a rat which has lodged on a window- 
‘ LLO <¢ screen, Signed by Okawa Munenobu. 


Height, 3 inches; width, 27, inches. 


123—JapanesE Ivory Carvine 
Japanese and child, the former preparing vegetables. Signed 
ee aby Sei-ko. 
Height, 21% inches; length, 3 inches, 


124—Japanese Ivory Carvine 
A fencing master holding a single-stick (Geken). Signed 
LL hie by Okawa Sizuyasu. 
hie Height, 31, inches; width, 3 inches. 


125— JAPANESE Ivory Carvine 


Representing a mammoth cockle-shell into which numerous 

dwarf figures are attempting to climb and are meeting with 

/ a “—— various mishaps. A legendary subject intricately carved 
by Giyokasui. 

Height, 21% inches; width, 31, inches. 


126—JapanesE Ivory Carvine 
{ % A fagot gatherer and his son. Signed by Seiga. 
J — 
Height, 4 inches. 


127—Ivory Carvine 
Chinese puzzle ball. Hollow, containing seven others with- 
De is in, each one rotating, and carved and pierced with a net 
~~ pattern. Ivory stand for the same, with four scroll feet. 
From the private collection of the Chinese Premier, Li Hung 
Chang. 7 


128—JapranesE Tospacco Poucu 


All-over floral design in twisted silks of various colors, in 
satin and knot stitch. Mounted with a gold clasp and has 

Fee a 
—— a carved ivory button-shaped netsuke and amethyst ojime. 


129— JAPANESE SmAatt Marsrue Barri 
y > i Mottled rose and white. Has teakwood stand. 


/ Diameter, 2 inches. 


130—JapanrsE Rock Crystat Barty 
eres 
fe 


Showing prismatic colors. On tall carved teakwood stand. 


Diameter, 4 inches. 


131—Japanest YELLOw Crystaut CuBE 
Clear texture. Rounded edges. Has lacquer stand. 


/ 60 e 
ARN g ictal 23/4, inches square. 


182—MintatTure Cup anp SAUCER 


In Canton enamel, of floral form, with Show in blue, and 
—2 °¢_ landscape, dragons, scrolls and border designs in various 
colors. 


133—Patrr Miniature Cours and SAUCERS 


4, Canton enamel. Show, archaic dragons, ornaments and 
~ symbols penciled in various colors and gold. 


134—OcraconaL SAUCER 


Chinese porcelain. Radiating panels of red and green flow- 
ers on a white ground, with a blue and white border. 


Diameter, 5 inches. 
1385—Japranrszt EnamMet Vase 


Oviform bottle-shape. Sprays of pink and green thistles 
7 v6 upon a plain shaded green ground. By Namikawa Sosuke 
| eae of Kyato. 

Height, 314 inches. 


136—Patr OLp JAPANESE CLOISONNE ENAMEL Saucers 
Blue and red central squares and borders upon a white 
3°) ground. 
. Diameter, 434, inches. 
137—Mopern Satsuma Bow. 
fen Decoration of fans on the outer surface and a spiral of 
~_ chrysanthemums and scattered butterflies on the inner sur- 
face. Signed by Meizan. 
Diameter, 314 inches. 
_ 138—Mopern Satsuma Bow. 
The outer surface embellished with a decoration known as 
pide’ the “Thousand Flowers”? and the inner surface with “A 
Thousand Butterflies,” all executed with microscopic pre- 
cision. Signed by Meizan. 


139—Mopvern Satsuma Bown 


i Similar embellishment to that of the preceding bowl, No. 
Lé<— 188. Signed by Meizan. 


Diameter, 3% inches. 


140—Mopern Satsuma Bownu 


Decoration of the exterior surface consists of numerous fan 

designs, and on the inner surface spirals of chrysanthe- 
74 ** mums, symbols and other designs, all exquisitely painted in 

enamel colors and penciled gold. Signed by Meizan. . 


Diameter, 414 inches. 


141—MopeErn Cioisonné Enamet Jar | 
Oviform with cover. Decorated with scattered floral medal- 
ee lions and blossoms upon a deep royal blue plain ground. 
Signed by Namikawa. Has teakwood stand. 
- Height, 434, inches. 


142—O.up CHINESE CLOISONNE VASE 
Conventional all-over design of rich red peonies and leafy 
y oe scrolls upon a brilliant turquoise ground. Ch’ien-lung 


(1736-1795). 
Height, 6 inches. 


143—CuHInNEsSE SENTOKO Bronze VasE 
Tall cylindrical form with monster-head handles. Yellow 
/ 2° patina and thickly covered with gold inlays. Has carved 


teakwood stand. 
Height, 6 inches. 


144—Patr CAMELLIA-LEAF GREEN SAUCERS 


Brilliant uniform glaze on both sides. Seal mark of Ch’ien- 


lung (1736-1795). 7 
AUDEN Cee Diameter, 51, inches. 


145—CoveErEpD CLoIsonn&éE Box 


Chrysanthemum-flower shape. Decoration of medallions 
representing all the flowers of Japan, with a surrounding 

nA fs central band of conventional ornament. A black ground 
covered closely with scattered emblems and small fine wire 
scrolls. Finest workmanship. By Namikawa Yasuyuki of 
Kyoto. Has delicate carved wood stand. 


Diameter, 53/4 inches. 


146—Mopern SatsumMA Piate 


Decoration, a double spiral of chrysanthemum blossoms in 
/ 6 ¢2_. various colors and penciled gold. Edged with a rosette 
border. Very fine work by Meizan; signed. 


Diameter, 814 inches. 


POMS e ON an ecru tes PT ou Ne aA) to wey Payee PA 
i Moai 4 i f rf die x ai ¢ 


- 147%7—Surers Japanese Tray 
op Skilfully produced in carved mother-of-pearl. Represent- 
ing a large chrysanthemum flower flattened, entirely made 
so in layers of various colored pearl. Scattered sprays, bee 
and butterflies in relief on the obverse, and tendrils and 
leaves on the reverse, forming feet. 
Length, 91, inches; width, 8 inches. 


(PROPERTY OF WALTER MANCHESTER) 


CABINET OBJECTS 


z 148—Pair Canton Enamet Wine Cups 
Hae bite _ Decoration of seated figures in landscape. 


149—Pair Canron Enamer Smari Trays 
-  Indented corners. Decorated with central Shou, surrounded 
bi be by colored flowers and symbolical bats in brilliant colors on 
_a lavender ground. 


4 inches square. 


\ 


150—Two Smaru Cups 
: One square and one pentagonal, with re-curved angles and 
as single handles. White panels in famille-verte decoration. 


151—Smatyt Cuinese Porcertain TEAPot 
With top handle. Globular, with projecting white bosses 
o24< round the top. Foliated panels and sprays, in red, green 
and gold. 


152—Oup Croisonn&é Enamet TEA-sar 
Symbols and conventional ornaments in various low tones 
bie on a turquoise-blue ground. Has lacquered stand. 
| Height, 4 inches. 


153—Canton ENAMELED Tray 
With open bamboo rim. Sprays of pink flowers on a tur- 


y 60  quoise-blue ground. 
an Length, 81, inches. 


154—Otp Kurania Tearor 
Globular. Landscape in brilliant violet. Green and black 
Lote enamels. Green spout and wicker handle. 


155—Pair Japanesr EnNAmMeE. Vases 
Graceful bottle shape. Decorated with the plum branch, 
oO ’* showing night effect with the moon and mist on one, and 
pink blossoms on the companion vase upon a shaded gray 
ground. By Namikawa Sosuke of Tokyo. Have teakwood 


stands. 
Height, 71 inches. 


156—Patr JAPANESE PorcELAIN VASES witH COVERS 


Tall and slender. Dark blue bamboo trees and red flowers on 
VS? a lavender-blue ground. 
ee, Se 
Height, 7%, inches. 


157—O.p Cioisonn& Enamet Vase 
Decoration of dragons, clouds and lotus petals in colors on 


i als a rich blue ground. Has teakwood stand. | 
Height, 44 inches. 


158—O.p Crotsonné Enamer Vase 
Decoration of Howo birds, sprays and lotus petals, in pink 
//¢#_ and green, upon white ground. Has a carved teakwood 


stand. 
Height, 6 inches. 


em 


q 


_ CHINESE, JAPANESE AND EUROPEAN METAL- 
WORK 
OLD AND MODERN SPECIMENS 


159—O.p Iron Sworp Guarp 


fs pees Pierced conventional ornament with scalloped edge. 


-160—Otp Iron Sworp GUARD 


‘ oA ce -_—~—« Sculptured waves in openwork. Signed by Mitsu Yoshi. 


| 161—Otp Iron Sworp Guarp 

Ma oo Floral shape. Pierced and sculptured design of stork and 
blossoming plum tree with gold inlay. Signed by Shige- 
masa. 


162—O p Iron Sworn Guarp 
J" With close all-over pierced pattern and gilded rim. 


163—Otp Iron Sworp Guarp 
i ge Square, with indented corners. Carved with bamboo and 
plum tree; leaves and blossoms inlaid with gold and silver. 


164—Suaxkupo Sworp Guarp 
: Scattered blossoms in relief in gold and silver. Signed by 
Ad ot Mitsuyoshi. 


165—Oxp Sworp Guarp 
or Copper bronze and nanakoji. Incrusted with gold peonies 
— and dogs Foo in high relief. 


166—O.p Iron Sworp Guarp 
Pierced and carved flowers and insects. Signed by Kinai. 
// — — Seventeenth century. 


167—O.p Iron Sworp Guarp 
Pierced and carved design of flowers and insects. Signed 
by Kinai. Seventeenth century. 


ga? 


— 


168—LarcEr Sworp Guarp 
Swimming carp on obverse and turtles and shells on reverse 
skilfully modeled in high relief. Exceedingly fine speci- 
-E¢ ~—men by Natsuo. Mounted on brocade panel in polished 
mahogany box. 


169—Correr Koeat 
/ %¢_ Nanakoji panel, and lifelike fireflies in relief. 


170—Fovur SHaxupo Koeat 
With nanakoji panels and decorations of birds, horse and 
/ 0 ‘2- shells in gold, bronze and silver in high relief. Two signed. 


171—Set or Ten Knire Hanptes 

In black and gold lacquer box. 
1. Shibuichi. Waves in high relief and fish encrusted in 
various metals. Signed by Omori Eishu. 

Y go 2. Bronze. Two figures in relief with copper and gold in- 

/ ~ lay. Signed by Mazayoshi Namono. 
3. Iron. Gold and silver dog and foliage in high relief. 
Signed by Omori Eishu. 
4, Silver. Engraved, with man in boat. Signed by Yoko- 
tani Somin. | 
5. Bronze. Two figures in a boat, of various metals in 
relief. Signed by Hagiya Shoju. 
6. Iron. A man looking at the moon, in gold and silver 
inlay. Signed by Hamono Seizin. 
{. Shakudo and nanakoji. Warrior on horseback, of gold 
and silver in high relief. Signed by Hoynesai Haotsune. 
8. Sentoku. A man looking over the fence; of various 
metals in high relief. Signed by Zuikado Shoyu. 
9. Sawari. Landscape of gold and shakudo in relief. 
Signed by Fujiwara Seiju. 
10. Shibuichi and nanakoji, with shakudo rim. Peonies in 
high relief. Signed by Goto Mitsuaki. 


172—Iron Knirt HAanpdie 
sree The Sacred Treasures in Hirata enamels. 


oF 173—Japanrse Pree 


eS 


a ay / ¢®_ Silver and gold, engraved crest and incised cloud forms. 

e 3 

4 F 174— JAPANESE SHortT Sworp 

(Tan-to.) Length of blade, 15 in.; wavy forging. Scab- 
‘- WA PEL bard of ribbed brown lacquer, mounts of bronze, nanakoji 
is — and shibuichi, encrusted with decorations of fish and birds 
ee in various metals. 


- 175—JapanrEseE SHORT Sworp 
(Tan-to.) Length of blade, 15 in.; scabbard in black 
"4 06 lacquer, imitating leather. Kozuka and mounts of carved 
~~ shakudo, and bronze inlaid with gold. Decorations of birds 
in flight and gold moon. 
From Dr. Ernest Hart’s collection. 


176—Miniature Bronze Vase 
7 Bottle shape, with flattened body. With champlevé panels. 


177—JAPANESE STEEL Mirror 
A Storks and pine tree relief on the reverse. 
\ Diameter, 434, inches. 


178—OLp JAPANESE Fotpinc TAasBLetT 


Polished brass. Pierced and finely chased, with wave pat- 
ve rid terns and foliations. 


179—Two Otp JAPANESE TABLETS 


Polished brass. Etched decoration of pine and bamboo 
Ee ¢74 branches and floating blossoms. 


180—Oup JAPANESE MIn1IATURE Koro 


Polished brass. Lotus bud on tripod. 
oh tes Height, 3 inches. 


181—Oup JapPanesrE Brass Koro 
47 ee Rectangular, with pierced handles and seated dog Foo; 
——  monster-head feet on cover. 


mw ae a ier Te 


182—O.Lp JaPpanEsE Foutpinc LANTERN 
LZ? Polished brass and oiled paper. 


183—Oxp Japanese Brass Sake KETTLE 
Los Polished surface. Quadrilateral shape with swinging 
~~ handle and movable spout. 


184—O.p Japanese Koro 

»o Polished brass. Richly carved and engraved; with scal- 

—~  loped edges forming lotus petals on tripod of monster-head. 
Height, 3% inches. 


185—OLp JAPANESE PRICKET CANDLESTICK 
°° Polished brass, graceful bottle shape. 


186— JAPANESE [Ron JEWEL Box : 
The entire outer surface damascened in gold and silver in 
V5 Neda geometrical designs. Fine silver-lined specimen by Komei. 
Height, 3 inches; length, 334 inches. 


187—Oup JAPANESE Tripop Koro 
( - Polished brass. With brass stand and carved teakwood lid. 
ree Height, 734 inches. 


188—Oup Japanese Hrpacui 
Polished brass. Oval shape, with swinging handle and 
aves pierced cover. Has carved wood stand. 
Height, 6 inches; length, 51% inches. 


189—O.up JAPANESE PEWTER SAKE JuG | 
: With twisted handle and dragon ornament. Signed by 
On wetcosnte 


190—Oxp JAPANESE Bronze Oxomoni 


Lifelike turtle by Toun and signed. 
Zi ry as Length, 4 inches. 


—_—_— 


191—JapanresE Bronze Tray 


Lotus-leaf shape, standing on its own crinkled stems. Veins, 
crabs and frog inlaid in silver wire. 


66 
7 —_— Height, 31% inches; length, 6 inches. 


192—Oxp Cuixese Bronze Traror 
_ Kylins carved and modeled on sides and lid, in full relief. 
SS Kane Fret and other borders. Dragon handle. Has teakwood 
stand. 


193—Oup JAPANESE Bronze Tripop INCENSE BurRNER 


pe Two dragons in relief forming handles, incised bands of 
—— palmettes; rich brown patina. Has carved wood stand and 
cover. 


} 


Height, 41%, inches. 


194—Gorosa HamMERED Bronze TEAPOT 


With swinging handle which is wrapped with bamboo wicker 
LL oe wood. Signed. Has fine carved teakwood stand. 


Height, 4 inches. 


195—Oup JAPANESE Bronze Bownx 


Globular shape. The outer surface covered with network 


of twine and threads, cast in relief. 
a oo Height, 51% inches. 


196—Oxp JAPANESE Bronze SACRIFICIAL VESSEL 


Fungi handle. Golden-brown patina. Signed by Gorosa 


Cae 5th. 
Tre Length, 7 inches. 


197—ULp JAPANESE BronzE FLOWER-HOLDER 


/ yo Formed as the stump of a bamboo branch. Rich mottled 
— brown and red patina. Signed by Yoshi Kiyo. 
Length, 11 inches. 


198—Oup Japanese Iron CovERED JAR 
Grape vine in bearing, skilfully modeled in relief. 


oo meee. 
x See Height, 54% inches. 


199—OLp JAPANESE Bronze Hanoine VASE 


Amphora shape. Ribbed body and relief ornament of a 


J “ dragon. Has carved wood tripod stand. 
Height, 3%, inches. 


200—O.up CuHINEsSE Bronzez VASE | 


Showing interesting effects of mixing red lacquer with 


ye ~— molten bronze. Of graceful hexagonal bottle shape with 
dragon-head handles and incised palmettes. 


Height, 104%, inches. 


901— JAPANESE BronzE Oxomono 


An enraged tiger. | 
ues Length, 12 inches. 


202—Oup JAPANESE CoprerR HIBACHI 


Globular shape with swinging handle, repoussé chased bor- 
ad a der round the shoulder and cover; foliated scrolls and flow- 
ers. Rich red patina. 


Diameter, 82 inches. — 


903—ANTIQUE CHINESE Bronze Girt VASE 


Oviform with two rudimentary handles. Golden yellow pa- 


tina. Sanscrit mark underneath the foot: “Cherish this.” 
Has carved wood stand and cover. Hsiian-Te, 1426-1437. 
Height, 91%, inches. 


S Que 


204—JAPANESE Bronze VASE 
Bottle shape with dragon handles and relief band of foli- 
if 4% ated scrolls. Beautiful patina of verdigris-green mottled 


with red. By Mitsu Shiro. 
Height, 9 inches. 


Pi oe es. = 
a ile rol aid 


yo ed a, es ote Ve ee ee Ca een ee Sh aie Ue alk & 
RCO MITT tL JP Pag OI ce 


205—AnTIQUE CHINESE Bronze Trieop Koro 


_ With stand and cover to correspond. Blossoming plum 
; JQ branches forming handles, feet, openwork cover and stand. 
as Fine golden-yellow patina. 

Bier: Height, 13 inches, 


Rk 


= « 9O6— JAPANESE Bronze VASE 


7 _ Graceful oviform and spreading mouth. Swimming carp 
; Deed and lotus plants skilfully modeled in relief. Rich mottled 


brown patina. Has carved teakwood stand. 
Height, 13 inches. 


207—JaPanEseE Iron PLAQuE 


Beautifully decorated in gold and other lacquers in imita- 

ne tion of “*Zogaii’”? and damascene work. In the center is a 

v S “landscape and river view, with sacred mountain in the dis- 

tance and a procession ‘of daimios and their retinues. The 

inner border is composed of dragons amid cloud forms, and 

the outer border of various diaper patterns intercepted by 
butterflies. 


Diameter, 1734 inches. 


A 


908—Larce OLp JAPANESE CLOISONNE PLAQUE 


Decoration, two daimio warriors with landscape in rich, 
brilliant coloring. Conventional ornament with spray of 
/ fae: chrysanthemums and butterflies on the reverse. 


Diameter, 21 inches. 


209—HammerepD Copper site ds 


Repoussé decoration with brass clamps at the indented 


Va OU corners. 


210—Parir or ANTIQUE CANDLE SNUFFERS WITH TRAY 


J 322. Polished brass. Queen Anne period. 


211—Hammerep Brass CAsketTr 


ies ,, Made for the Arts and Crafts Society’s exhibition in Lon- 
7 con. 


212—WrovucutT-1ron Hanceinc LAMP 


, With crimson glass flame cup. Good modern vo fore 
‘ee —  Liége, shee 


213—Brass Haneine CHAncEL Lamp 
Old Florentine. Of chased and pierced work. Fitted with 
Dey spring candle socket and red glass flame cup. 


Length, with chains, 30 inches. 


914—-Set or Persian ARMOR 


Helmet, shield and one gauntlet. Iron, with decorations of 
Arabic inscriptions, bosses and floral work, damascened and 


i) 
eC a0 anid with ole: 


TEXTILE EMBROIDERIES AND TAPESTRIES 


215—BrussEts Rosr-point Lace Dotty 


Fine specimen. 
J) 06 81, inches square. 
216—Two Pieces Otp JAPANESE TEXTILES 
: (A) Strip with storks, cloud forms and diaper brocaded 
(J 4% im brown and white silks and gold threads. 


- (B) Half of an obi, of tan silk, with figures and boats on 
water, in dark old gold and bronze color silks. 


217—Smatut BrocapE SQuARE 


ol oe Green-gold and black, with swastikas and diamonds alternat- 
~ ing. Lined with white brocade satin. 


218—PortTIon or Prirst’s Rose 


Terra-cotta silk, with cloud forms in white, plum color and 
(3°2. gold. Lined with bright green silk. 


Length, 62 inches; width, 13 inches. 


Bs 219—TureE CHINESE S1tK Tapsestry Mats 


% a Conventional birds, symbols and mythological beasts in vari- 
0 
e —— __ ous colors and gold threads. 


220—Oxp Cuinese Tapestry Hanerne 


Five medallions of storks in white, and bats and cloud forms 
, ona scarlet ground. 
vs y e Length, 72 inches; width, 101% inches. 


221—JarpanesE TemPpie Hancine 


Brown silk, with archaic dragon woven in metal threads; 
5 %¢. kin and other crests in white satin appliqué. 


Length, 521, inches; width, 12%, inches. 


222—-PorTION OF A JAPANESE Prirst’s Rose 


Gold ground with red trellis design and circles of birds and 

if So “flowers in various colored silks. Lined with white satin bro- 
cade. 

Length, 611% inches; width, 13 inches. 


223—PorTION OF JAPANESE Prisst’s Rope 


Purple silk with silver and gold floral designs. Lining of 
shot purple silk. 


06 


NWeaieticenes 


Length, 621, inches; width, 13 inches. 


224—Two Fuxusa or Girr CLoTHs 
(4) Old gold silk with an all-over pattern of conventional 
G ws peonies and scrolls in the same color. 
 (B) Gray silk with green foliage, and a plant-box and fan 


stenciled in various colors. 


225—SMALL JAPANESE BRrocaDE SQuaRE 
Dark blue with diaper and medallions woven in gold. Lined 


24 7" with white silk. 


226—Oxp Japanese Brocape Square HBr ; 
Dark blue silk. Lanterns and conventional floral designs in ; ner 
/ 3 ae gold, red and blue. Lined with dark green silk. 


Length, 371, inches; width, 26 inches. i q 


227—Pirecre or Oup Japanese BrocapDE 
Dark blue, with kiri crests woven in gold and swastika fret 


v ¢? . brocaded. in brown. 
i Length, 39 inches; width, 2614 inches. 


228—Oup JAPANESE BROCADE © 
Dark blue with diaper and floral ornament in gold thread 
we ¢ and various colors. Lined with Tussore silk. | 
Pe coee Length, 361% inches; width, 26 inches. 


229—Oxp JAPANESE BrocapDE SQuARE 
Golden center, with conventional Moorish design, interwoven — 
is ¢* with various colored silks, with broad gray and blue border. a 
Lining of blue silk. | a 


34 inches square. a 


230—OL.p JAPANESE BrocaDEs 


Black satin; all-over design of oblong panels and dragons in 

4 Fe. ° e BS. 

ve BAS gold, in low tones of silk. 4 
/ Length, 63 inches; width, 25% inches. 7 


231—OLp JapanrEsE BrocaDE 

/. Gold trefoil and diaper design on dark blue ground. Lined q 
/ ‘"__ with purple silk. q 
Length, 62 inches; width, 3814 inches. = 


932—OxLp CutnesE TAPestry PAnen 


Deity, birds, rocks and flowers woven in various colors and : a 
/ / oo gold threads, on a red ground. Terra-cotta brocade border. 
Lined with white silk. q 


Length, 70 inches; width, 20 inches. iG 


933— JAPANESE BrocaDE COVER 


oe: Brown silk with floral pattern woven in lighter tone. Lined 
x y ee with imperial yellow satin. 
Length, 49 inches; width, 2514 inches. 


234—Oup JapaNEsE BrocapEe Cover 
ie | Green and blue flowers on a golden silk ground. Lined with 
e foie . red silk. : 


x 


Length, 59 inches; width, 49 inches. 


235—O.p CHINESE Satin BrocapDE 
Turquoise-blue ground with peonies, lotus and symbolical 
Li 2s bats brocaded in apricot color. 
| Length, 83 inches; width, 60 inches, 
236—O.Lp CuInEsE Satin BrocapE Cover 


Design of boys and trees in golden yellow on a brilliant red 
Ly) é~ satin ground. Blue and white embroidered satin border. 
~ Lined with light blue silk. 


60 inches square. 


237—Sumprtvuous JAPANESE OBI 
Heavy black satin with a design of closed and opened fans 
LL vie in gold, silver and various colors. Golden “Mon” woven at 


one end. 
Length, 66 inches; width, 261 inches. 


238—BEAuTIFUL SAGE-GREEN SATIN Brocade 
With conventional flowers in alternate bands, woven in gold 
y y threads and dark green and brown silks. 
wy — Length, 52 inches; width, 28 inches. 


239—Oxp Japanese Prizst’s Rose 
Dark blue satin with all-over design in flowers brocaded in 
red, gray and blue. Lined with Tussore silk. 


2A ded 
eee Length, 831% inches; width, 46%/2 inches. 


240—Sumprtuovus JAPANESE Prigst’s Rope 
Composed of various brocades with all-over design of gold. : 
i ee __ Inscriptions, emblems and crests. 


Length, 781% inches; width, 461, inches. 


241—Oup JAPANESE Prigst’s ROBE 


Old rose satin with repeating pattern of conventional chrys- 
anthemums and flowers in, gold and soft colors. Lining of 


Ady Ex) . 
encores green silk. 
Length, 79 inches; width, 24 inches. 


2942-OLp JAPANESE Prirst’s RoBE 
Dark green silk with dragons and cloud forms woven in gold 
uy Q va threads and various colors of silk. 
Length, 72 inches; width, 431% inches. 


243—Oxp JAPANESE Priest’s Rose | 
Terra-cotta satin brocade with self-colored design partially 
_,, embroidered with a gold outline. Lining of blue taffeta, em- 
7 ~ —— hroidered with crest and inscription in orange and black 


silk cords. 
Length, 82 inches; width, 45 inches. 


244—_Ou_p JAPANESE Prigst’s Rope 
Dark blue satin with Howo birds and dragons, flowers and 
cloud forms woven in gold thread and various silks. Lined 


25% with red silk. 
Length, 82 inches; width, 47 inches. 


245—O.Lp JAPANESE Prigst’s Rose 
Soft yellow silk, with cross-bands all over of green satin 
(geass brocade. Lined with russet silk. 


Length, 84 inches; width, 454% inches. 


246—O.up JAPANESE Prisst’s Rose 


yh Br _ Terra-cotta satin ground with dragons in circles and cloud 
2 cw forms in gold threads and various silks. Lined with Tus- 


sore silk. 
Length, 79 inches; width, 46 inches. 


247—Oup Cuinese Brocape Portikre 
9 Old-rose satin ground with a design of boys at play in cross 
i 37 y@ bands. Wide border at top with birds, dragons and Chi- 
be nese fret pattern. 7 
a Length, 91 inches; width, 551%, inches. 


248—Oxp Japanese Brocape Hancine 
Dark blue satin ground with dragons and cloud forms in 
S45 $s? golden yellow, gray and light blue. 
eS ie ; 
: Length, 76 inches; width, 42 inches. 


249—Gorceous Otp JAPANESE Watt HANGING 
. Red satin with large circular ornaments in pink, green and 
ge = silver. 
; \ Length, 81 inches; width, 79 inches. 


250—Pair Op Cuinese Sitk TassEts 


Spe Sage green with gold tops. 


251—Patir Ovp CHINESE S1Lk TasseELs 
Bright red with gold tops. Finely braided. Triple fancy 
ve. knotting. 


952—Lot AssorTED 'T'ASSELS 


He) Various colors and shapes. 


953—Four Yarps CHINESE SILK FRINGE 


Pink network with alternating red, white, pink and green 


jz tassels in fine silk. 
7, aie Depth, 16 inches. 


(PROPERTY OF MISS IDA M. MANCHESTER) 


254—JAPANESE Domestic SHRINE Haneine 
a Three-cornered. Dull dark blue felt with lotus plant ap- 
is — plied in colored felts. 


255—Oxup CHINESE BrocapE PANEL 


Landscape, Chinese characters, river view and border de- 
be G0 sign woven in gold threads and silks. Framed under glass. 
Height, 19 inches; width, 8%, inches. 


256—Fuxusa or Girt CLoTH 
- Red satin with kiri crest within circle embroidered in gold 
— and silver threads. 


257—F vuxusa or Girt CLotTH 


ae Old-rose satin with scattered chrysanthemums embroidered 
od ——~ in various silks and gold threads. 


258—Fuxusa or Girt CLoTH 


Pale blue satin with the “hundred storks” ornamentation 


vo s@ embroidered in natural colors in silk and gold thread. 


259—Fvuxusa or Girt CLoTH 


Sky-blue satin with a circular crest design in laid cerise- 


Viol 4? colored silk cord. 


260—Fvuxusa or Girr CLotH 


Dark blue satin with the Magic Coat, pine branches and 
jo? °2 cloud forms embroidered in various silks and gold thread. 


261—Fvuxuvsa or Girt CLoTH 
Dark blue satin with two emblems of good fortune in laid 
tan color silk cord and gold thread. 


OE Mad 


eee SA! ee ee Pan) ne eee ee rr) ee en 8 
peal als iia RS tle Coeirti e ala bs 


262—Sumprvovs Fuxusa or Girt CLotH 

| Dark blue satin, with two hexagonal boxes, with cords, tas- 
a {/! 0 sels and shells for the Japanese games of shells, in gold bul- 
a —— lion and laid work. 


263—O.xp Cuinese Patace Haneine 
i, Imperial yellow soft silk of the finest quality. Decoration, 
ki Te) ee floral sprays of satin stitch embroidered alike on both sides 


-—— in many soft colors. 
ii alee Width, 58 inches; length, 4 yards. 


264—O.p CuInese LAMBREQUIN 
Medallions of butterflies and scattered blossoms embroidered 


io y, sz  mvarious colors of silk on white satin. Border in blue, green 
—— and pink silks and gold thread. 
| Length, 58 inches; width, 13%, inches. 


265—OLpD CHINESE LAMBREQUIN 


| Crimson figured silk. Phoenixes, peonies and branches of 
o . ° ° 
43 —— plum blossoms, in Nankin blues with gold threads. 
: Length, 78 inches; width, 20 inches. 


266—Japanrsse Kimono 


Red figured crépe, richly embellished in gold threads with 
Ue MA é¢ ___ blossoms, butterflies, bamboo, trellis work and other designs. 


SECOND AND LAST AFTERNOON’S SALE 


THURSDAY, APRIL 17, 1913 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 o’cLOcK 


(PROPERTY OF MR. WALTER MANCHESTER) 


SNUFF BOTTLES AND OBJECTS IN JADE 
CRYSTAL AND AGATE 


967—CHINESE PoRCELAIN SNuFF BoTTLeE 


Miniature figures of warrior painted in color, with red and 
VisG Ole other enamels, on obverse and reverse. Chalcedony stopper. 


~~ Chi’en-lung (1736-1795). 


968—CuINnEsE Guass SNuFF BotTrLe 


Intricately decorated on the inner surface with rocks, flow- 


42 ers and birds. Green stopper. Ch’ien-lung (1736-1795). 


969—CHINESE CLOISONNE SNuFF BotTriLeEs 


Flattened shape. With conventional ornaments in red, 
green and dark blue, upon a turquoise ground. Red ivory 


a stopper. Ch’ien-lung (1736-1795). 


270—CuHINESE CamMPHoR-GLASS SNUFF BoTTLEe 
With sprays of pink flowers and green leaves in glass ap- 
san od pliqué; green stopper to match. 


271—Cuinese AMBER SNuFF Borris wie 
: Clouded orange-yellow. Carved pink coral stopper. Ch’ien- 
{22 jwng (1736-1795). | 


942—-CHINESE COMPOSITION SNUFF BOTTLE 


re 


273—CHINESE PoRCELAIN SNUFF BoTTLE 


Brown and mottled red and yellow fei-t’sui stopper. 


Flattened shape. Fine quality coral-red glaze. Fei-t’sui 
We /@ stopper. Yung-Chéng (1723-1735). 


274—CHINESE CrystTaL Guass Twin SnuFrr BotTtries 


Intricately decorated on the inner surface with landscapes, 
| ( flowers and other subjects. Blue glass stoppers. Ch’ien- 
/(** tung (1736-1795). 


27%5—CHINESE Guass SnuFF BorTrtriLe 


—, In imitation of amber. Modeled handles at the sides. Red 
vie <<. and green glass stopper. Ch’ien-lung (1736-1795). 


2976—CHINESE JADE SNuFF BotTrLe 


hee Smoky gray, highly polished surface. Chalcedony stopper. 
yy ——~ Ch’ien-lung (1736-1795). 


977—CHINESE CrysTAL GuAss Snurr Borrie 


Intricately decorated on the inner surface with singing bird 
Be on pine branch on obverse and river view on reverse. Rose ‘a 
quartz stopper. Ch’ien-lung (1736-1795). 4 


27%8—CHINESE GuAss SNuFF BotrrLe ae 


/ Brown with black markings to resemble agate. Green glass 
’* stopper. Ch’ien-lung (1736-1795). 


279—Cuinesz Wuite Jape Snurr BottTre 
Rectangular, with drafted edges and carved mask handles. 


f / oe a8 Fei-t’sui green jade stopper. Ch’ien-lung (1736-1795). 


280—Canton Enamet Twin Snurr Borries 
Painted in light blue, yellow and rose-pink, with symbolical 


JS “2 pats and cloud forms. Carved silver-gilt stoppers. Ch’ien- 


lung period (1736-1795). 


281—CHINESE COMPOSITION SNUFF BOTTLE 


Ae Mottled red on a yellow ground. Green glass stopper. 
—— Ch’ien-lung period (1736-1795). 


| 982—CuHInEsE AGATE SnuFF BoTTLe 


Grayish-white with black and brown moss formations. Ogre- 


0 ““. mask handles. Green glass stopper. Ch’ien-lung period 


(1736-1795). 


283—Cuinese Wuite JavE Snurr Borrie 
Flattened slender form. Highly polished turquoise stopper. 


/2 %2  Chrien-lung period (1736-1795). 


Vee 


7 


284—CuHINESE CHALCEDONY SNUFF BoTTLe 
Light brown color. Carved ogre-head and ring side 
¢¢ handles. Fitted with an imperial green jade stopper 
mounted in the original old gold setting. Ch’ien-lung period 
(1736-1795). 


285—CuHINESE CHALCEDONY SnurFrFr BotrTLe 
Rich dark brown color, with lighter veining. Highly pol- 
4" ished surface. Red ivory stopper. Ch’ien-lung period 
(1736-1795). 


286—SmaLu JavE BoTtrLe 
Flattened globular shape. Greenish-white with highly pol- 


a 5°’ ished surface. Has red coral stopper. Engraved seal 


mark. Ch’ien-lung period (1736-1795). 


287—YeELLow JADE GirDLE CLaAsP * 
Carved with a conventional dragon 1 in full relief and highly 


1° polished. ‘ 
_ Length, 3, incheg ae 


288—Rocx CrystTau SEAL 


Of exceeding purity; topped with a carved and pierced 
/ 0 —~ ornament. In fitted case with vermilion box. 


989—Smatu Rock Crystat VAseE For SHRINE 


/ Hexagonal, tall and slender, with lip and floreated base. 
ay Perfectly clear. 


Height, 31, inches by 1 inch. 


290—CHALCEDONY SACRIFICIAL Cup 


_, With dragon handle. Light red, orange and milk-white 
—— veinings. Fitted with a teakwood cover, set with green jade, 
and stand. 


291—Yrtitow JADE ARMLET 


ve With light brown markings, unpolished. 


</ 


Diameter, 34 inches. 


292—Pair GREEN JADE ARMLETS 
yi Of rich dark color. Highly polished surface. 
Go 


Diameter, 31%, inches. 


293—A Lity Lear 1n Dark GREEN JADE 
3 let Of fine color and quality. 
mee 31, inches by 4%, inches. 


294—WHITE JADE Box 


—,,, Floral form. Incrusted with various-colored jades and rose 
IOS quartz on the cover. From the Summer Palace, Pekin. 


13% inches by 3% inches. 


295—Whuite JapvE VASE 
. Of greenish tint. Carved with four feet and two conven- 
, & xe: tional dragons on each side in full relief and undercutting. 
5 — Carved teakwood stand to fit. 


oro 


Height, 31 inches. 


296—Wuire Jape SCEPTER 


Of greenish shade, elaborately carved and pierced with 
a y) 4° cloud forms and bats. 
Length, 7 inches. 


297—Whuirrt JADE BookMARK 


| Quite plain and thin, with a rolled end. 
4 sco Length, 11 inches. 


298—WHITE JADE Box 


Globular shape on low foot. Quite plain and very pure in 
i Saale color; highly polished surface. Inlaid teakwood stand to fit. 


Diameter, 34% inches. 


299—Two Eecs or EncLisH BLUE-JOHN QUARTZ 
One red and the other blue; highly polished. From the Der- 
gig io byshire quarries, England. 
Length, 3 inches. 


300—NATURALISTIC SPRAY OF WHITE HAWTHORN AND JONQUILS 


With dark-blue leaves, in a white holder bound with yellow 


cords. Hirado (1740). Mounted on silk. 
ye oie Length, 534 inches. 


301—Ovat CHatcepony DisH 


Of rich red and brown color; highly polished. From the 


/> %* _Condover Hall Collection. ; 
Length, 514, inches; width, 3% inches. 


302—Cuatcepony Brissom-sHaPep Bow1 t 

Unusually large and engraved on each side with two sprays 

ie aderl 25 plum blossoms. Light-brown color, beautifully marked 
and highly polished. Has teakwood stand. 


Diameter, 6 inches. 


303—CHINESE BraceLet 


oO ve Of opaque glass beads and mounted with original blue silk 
_ cords. 


304—CuHInEsSE NECKLACE 


if oe Composed of green jade beads in various sizes and shapes. 


— 


305—Manparin NECKLACE 
Composed of fifty-three beads made from the skull of the 
s cae sacred crane. Soft warm yellow color and highly polished. 
Finished with green jade bead pendant and silk tassel. Very 
rare, and beautiful in color. 


306—Manparin NECKLACE 


Composed of thirty-one fei-t’sui jade and thirty pink dora 


Sea ‘¢ beads. Alternating and evenly matched in color and size. 
Finished with Chinese tassel. 


307—Manparin NECKLACE 
Composed of forty-three beads of dark green jade, and oval 


Sigel. chalcedony, alternating; and with a rock crystal and one 
glass pendant. Rich colors. 


308—Manparin NECKLACE 
Composed of sixty-five beads of green jade, coral, and cat’s- 
AQ eyes; alternating, and of various sizes and colors. Unusual 
and rich. 


309—ManpariIn NECKLACE 


Composed of forty-one large beads of several sizes and 


hee Ath shapes and delicate colors. 


310—Manparin NECKLACE 


a Composed of thirty-four large beads and eleven fei-t’sui 
e/. go Jade. Graduating in size from % inch to 1 inch in diameter. 
i / — United with white-silk tassels. Very handsome. 


$11—Co..ection oF THIrty-FIVE OJIMES 
Of carved ivory, bone, lacquer and wood. The majority old 


: Z ae specimens. 
k oe 


312—Couzection or Merat-worx Osimrs 
Forty-seven specimens in gold, silver, shakudo, shibuichi and 
ae “* other metals, and of exquisite workmanship. 


~ 3138—Dartmio’s OrriciaL CHAIN 


Composed of ninety beads of chalcedony, 114 inches diam- 
3 po eter. Carved wood and glass, in imitation of jade and rock 
___ erystal, and mounted with pendants of four handsome black 

| tassels. 


314—Smatu Decoratep Cup 
Ch’ien-lung period. Supported by a modeled lotus spray 


so forming three gold feet. 
Lh 9 agi Diameter, 234 inches. 


OLD CHINESE PORCELAINS 


$15—MintatTure Buve anp Wuite Botrie 
The Dragon Procession, in two shades of blue on white 


ol) $m ground, Four-character mark of the Yung-Chéng period 
Set (23-1735). 


316—Buve anv Wuire Syurr Borris 
Equestrian and other figures in brilliant underglaze blue. 


Ved oe. 
317—B.uve anp WHITE EccsHELL SAUCER | 

Seated female figures in dark underglaze blue. Four-char- 

acter mark. 


G0 


—_—— 


318—Buvur anp Wuire Smarty Piate pe 
Pee Soft-paste type. Scepter-head and floral scrolls in two 
—— shades of blue. ; 


319—Rovcr Box 


Brown crackle soft-paste. Dragon and cloud forms and 
soe) ©? wave designs penciled in underglaze blue. Gold lacquer re- 
pair. Four-character mark of Hsiian-Té (1426-1435). 


320—PownpER-BLUE ROSE-wWATER SPRINKLER 


Reserve panels of floral designs. 


/2 se Height, 6 inches. 


321—BuveE anp Wuire GouRD-sHAPED VASE 
Alternate vertical panels of emblems and flowers with dia-_ 
/ Viele pered bands penciled in opaque underglaze blue. 
Height, 6 inches. 


322—Pair oF Biur anp WuitEe RosE-waTER SPRINKLERS 
“ »» Alternating panels of flowers and “Hundred Antiques” in 4a 


— brilliant underglaze blue. | 
Height, 7 inches. 


323—Pair Buve anp WuI1TE RosE-wATER SPRINKLERS 


Floral and scrolls panel. (Repaired.) at = 
ee eos | , Height, 8%, inches. q 


eee 


324—Parr BuuE anp Wuiret Bowts 


Conventional all-over design of peonies and leafy scrolls 
finely painted in opaque blues. Six-character mark of 


Save K’ang-hsi period (1662-1722). 


Diameter, 61% inches. 


325—Pair BLUE anp Wuire Bowts 
Shaded blue ground with white floral ornaments and four 
OG *%. oblong panels containing blue floral sprays. K’ang-hsi 
period (1662-1722). 


326—BLveE anp WHITE GouRD-sHAPED VASE 
“The Hundred Antiques” painted in underglaze blue on a 
7c 6? brilliant white ground. Has tall teakwood stand. 


Height, 8%, inches. 


327—BuveE anp WuiTe HawrHorn GINGER JAR 
Scattered plum blossoms in reserve on an opaque blue 


| ) fs ground marked to resemble cracking ice. Has carved teak- 


wood cover and stand. 
Height, 8 inches. 


$828—Buver anp Waitt HawTrHorn GINGER JAR 


Decorated with hanging branches and sprays of hawthorn, 
ie in white, upon a shaded blue ground marked to resemble 


-— cracking ice. Has carved teakwood cover and stand. 


Height, 8 inches. 


329—Buvur anp Wuitrt HawtTHorn SAUCER 


Cluster of blossoms in reserve on an opaque blue ground. 
3 > 42  %Six-character mark. 
oo 


Diameter, 61% inches. 


_ 330—Parr Buve anp Waite Deep Saucers 
Lotus pattern. Alternate panels with female figures, flow- 
/ ee ers and plants in brilliant underglaze blue. K’ang-hsi 
—— period 1662-1722). 


Diameter, 61, inches. 


331—B.veE anv WHITE PLATE 
Deep border of raised swirling panels filled alternately with 
Diowee monkeys, trees and flowers. Center of conventional birds 


—~ and peonies. 
Diameter, 81/, inches. 


332—BLuE anp WuirTeE PLATE 


Dark blue flowers and grasses. Narrow fluted border with 
pr alternating vertical and horizontal panels of flowers. 


————— 


Diameter, 10 inches. 


333—Bivur AND Wuirre HawtTnHorn Pate 
Clusters of blossoms in reserve on an opaque blue cea ay 


Me if ¢° marked to resemble cracking ice. Six-character mark of a 
Chéng-hua (1465-1487). (Apocryphal.) © 


334—BLvuE AND WHuiTE PLATE 


White fan-shaped panel in center on blue ground sur- 
eee rounded with reserve floral ornament. Conventional border 
in light blue. K’ang-hsi (1662-1722). 


Diameter, 9 inches. 


335—Patr Buur AND WHITE PLaTEs 


) Center panels, decorated with figure subjects. Painted in 


““— prilliant underglaze blue. Diaper borders interrupted with — q ; 


reserve medallions of figures. K’ang-hsi (1662-1722). 


Diameter, 1034 inches. 


$36—Parr BuveE anp Wuiter DiIsHEs 


_ Lotus pattern. Decoration of sprays of asters in dark 
pees cobalt-blue. | 


——— 


Diameter, 11 inches. 


337—Pair Buue anp WHITE PLATES 


Landscapes with figures in several shades of blue. Diapered 

blue borders interrupted with foliated medallions edged with 
if (4 “*. dark blue bands and filled with blue peony sprays. Chia 

Ching period (1522-1566). (Apocryphal.) | 


Diameter, 1014 inches. 


338—Larce BLUE anp WHITE PLATE 
Sonorous porcelain. Dragons and lotus sprays painted in 
oi eee dark opaque blue. Six-character mark. Chéng-hua (1465- 
1487). (Apocryphal.) 


Diameter, 141% inches. 


$39—BLveE anv Wuitse Deep PLATE 
Central basket of flowers in brilliant blue. Border of foli- 
& 2 6? ated panels of floral sprays, interspersed with various diaper 


patterns. 
Diameter, 1334 inches. 


340—Larce BLuE ann WhuiTtE PLATE 


Female figures and floral motives painted in brilliant opaque 
blue. Six-character mark of Chéng-hua (1465-1487). 


15 (Apocryphal.) Repaired 
pocryphal.) 


Diameter, 141% inches. 


CHINESE SINGLE-COLOR PORCELAINS 


$41—MiIniatTurRE GouRD-SHAPED BoTTLE 


_ Mottled peach-bloom and stone-blue glaze. Four-character 
ff 3? mark. Ch’ien-lung (1736-1795). 
Height, 3 inches. 


342—MInIATURE PEAR-SHAPED VASE 


. Coated with a sang-de-beuf vase of Lang-yao type. 
ie 8 Od 7 


Height, 3%, inches. 


$43—WritER’s WATER JAR 


. gv Invested with a camelia-leaf green glaze of brilliant quality 
aad and minutely crackled. Ch’ien-lung period (1736-1795). 
Has ivory lid and teakwood stand. 


344—MiIntaTuRE VASE 
An Enameled with a brilliant red glaze of sang-de-beuf type. 
BO) (es Tao-Kuang (1821-1850). Has teakwood stand. 


Height, 3 inches. 


345—MInIaATuURE GLOBULAR JAR 


oe 


Covered with a monochrome glaze with ashes of roses tint. 


Ch’ien-lung (1736-1795). 


346—SMALL Ovirorm JAR 
Invested with an iron-rust glaze of fine quality. Chrien- 

/ oe lung (1786-1795). Has chalcedony stopper. 
Height, 31% inches. 


347—Ivory-wHiTeE Lipation Cup 

Flanged oval lip, and base supported by conventional 
branches of hawthorn and magnolia sprays, in high relief on 
each side. 


J iphss 
Height, 2%, inches. 


348—SMALL Ovirorm VASE 

Enameled with a camellia-leaf green of brilliant quality and 

minutely crackled. Ch’ien-lung (1736-1795). | 
Height, 41/, inches. 


es 


349—GLOBULAR-SHAPED JAR 
Invested with an iron-rust glaze of exceedingly fine quality. 
pes natn period (1662-1722). Has repoussé and openwork 
pepgned 116 He 


Diameter, 314 inches. 


350—SmMaLu Hexaconat Vase 
Ss With two scroll handles on neck. Invested with a peacock-_ 
blue glaze of brilliant quality, which is marked with a fish- 

roe crackle. Ch’ien-lung (1736-1795). 


351—GouRD-sHAPED BotTLe : 
Enameled with a monochrome glaze of coral-red of fine qual- 


/5§ “ity. Yung-Chéng (1723-1735). 
Height, 6 inches. 


352—SMALL BorrLEe-sHAPED VASE 
Coated with a mottled red glaze. Tao Kuang (1821- 


Joc SSO 
Height, 6 inches. 


€538—Poure Wuitrt GLoBULAR-SHAPED VASE 


Deer and pine trees carved in relief. Chéng-hua (1465- 
fem “* 1487). (Apocryphal.) 


Height, 51%, inches. 


354—Pink CRACKLED SAUCER 


koe The entire surface covered with a minute crackle and deli- 
~“ — cate pink glaze. 


Diameter, 6 inches. 


$55—Coverep Bowu 


Invested with a coral-red glaze of brilliant quality. Ch’ien- 
44 | lung (1736-1795). 


Diameter, 5 inches. 


356—Tera Bown 


Ae Coated with a thick running glaze of sang-de-beuf type. 
oy — Has tall teakwood stand. 


Diameter, 51% inches. 


357—Pair Imprertat Bowts 


Thin sonorous porcelain. Invested with a monochrome 

glaze of brilliant green of iridescent luster. The outer sur- 

a oe face covered with a decoration of children at play in a gar- 

—— den and border designs delicately edged in the paste. Yung- 
Chéng (1723-1735). 


Diameter, 6 inches. 


358—Pair Pinx Bowts 


The outer and inner surfaces invested with a delicate pink 


Jt4£*%* crackle glaze. 


Diameter, 5 inches. 


359—Pair Movern Vases 3 
Pear-shaped. Brilliant coral-red glaze. (One repaired.) 


gio 


Height, 91% inches. 


360—BoTTLE-SHAPED VASE 


Dense porcelain. Enameled with a brilliant sang-de-beuf i 


Ly *2. glaze. Ch’ien-lung (1786-1795). 


Height, 74, inches. — 


361—BotTTrLE-SHAPED VASE 


Dense porcelain of the Tao-Kuang period. Covered with a © 


ay ts brilliant: apple-green glaze, applied over a pronounced 


~~ erackle ground. 
Height, 8 inches. 


362—TRIPLE-GOURD-SHAPED BOTTLE 
Invested with a flambé glaze of brilliant quality, which is 
/ 2. °2— applied over a boldly crackled surface. Tao Kuang (1827- 


1850). Has teakwood stand. | 
Height, 91% inches. 


363—Mine Pottery Vase 
Pear-shaped, with cylindrical neck with flange top. In- 
/2-42 vested with a green glaze of brilliant opaque quality applied 


over a minutely crackled surface. 
Height, 11 inches. 


364—Ivory WuitTe VAsE 


| Graceful tall slender form. Decoration of dragon, cloud 
/ f@*2. forms and fire emblems, delicately etched in the paste under- 
neath the glaze. Chéng-hua (1465-1487). (Apocryphal.) 


Height, 143, inches. 


365—Deep PLate 
! With indented edge. Enameled with an orange-yellow glaze 
/2 “of brilliant quality. 
Diameter, 1144 inches. 
366—BoTTLE-sHAPED VASE 
Invested with a monochrome glaze of mottled peachbloom 


oT QO <— tint. Ch’ien-lung (1736-1795). Has handsomely carved 
orangewood stand. 


Height, 101% inches. 


' 
aed Lat ae 5 - 
oe 24 = | 3a 


be 


367—Prar-sHaPep VASE 


With boldly flanged neck. Enameled with a monochrome 

glaze of turquoise blue of fine even quality, applied over a 

“ ie minutely crackled surface. Ch’ien-lung (1736-1795). Has 
teakwood stand. , 

Height, 131% inches. 


368—TaLL OvirorM VASE ~ 


With short spreading tubular neck. Invested with a pea- 
cock-blue glaze of brilliant opaque quality, applied over a 


ef g “ surface covered with a fish-roe crackle. Ch’ien-lung (1736- 


B70. 


1795). 
Height, 141, inches. 


369—CELADON BotTLE-sHAPED VASE 


Decorated with conventional lotus and leafy scrolls, cover- 
Z30% ing almost the entire surface, executed in white slip. Ch’ien- 
lung period (1736-1795). Seal mark underneath the foot. 


Height, 15 inches. 


370—Larcet Borrie-sHaPep VASE 
| Invested with a peacock-blue glaze of fine brilliant quality, 
Sy / as applied over a surface marked with minute crackle. Ch’ien- 
— lung (1736-1795). Has finely lacquered redwood stand. 
From the Murrietta Collection. 
Height, 1414 inches. 


371—Larcr PEAR-sHAPED VASE 


Of dense porcelain and graceful form enameled with a 
monochrome glaze of sang-de-bauf of brilliant quality. 
Ch’ien-lung period (1736-1795). Has carved teakwood 
stand. 

Height, 15 inches. 


EUROPEAN CERAMICS 


372—Smauu Drespen Disu 
/ °° Pastoral figures and floral sprays in enamel colors. 


373—Two VENETIAN Cups 
Borders of medallions and floral festoons in yellow, lilac and 


@ “° red on white ground. 


Diameter, 23/4 inches. 


374—W orcESTER CuP AND SAUCER 
Alternate blue and white panels of red and green flowers on 
/ ee dé a white ground. 


Diameter, 5 inches. 


375—SPODE SAUCER 
2) ,, Close all-over design and geometric border in gold. 
Diameter, 5% inches. 


376—Bow Cur anp SAUCER 
: Richly foliated border in lilac, red and green, with Sprays, 
1 ( ‘oe on ya white ground. 


377—WoRcESTER SMALL JuG 
Chinese figures in colors on a white ground. 


ees 
378—Capo-p1-MonTE CovERED JUG 
M out. 
ee ask spout 


379—Oxp Masotrica Square DisH 
With inverted angles. Renaissance ornament of birds, vase 


ai ee and leaf scrolls. Signed. 


380—WorcESTER SMALL Ovat DisH 
Brilliant red and gold decoration in Chinese style. 


ay fea 


5 inches square. 


= 381—LarcE Bow. 
Decoration of Chinese garden scenes. Peonies and border 
ie adil designs in enamel colors of the famille rose. 


Diameter, 1134 inches. 


382—Detrr Pate 
i Foliated panels of flowers in blue in Persian style. 
hee Diameter, 1014 inches. 


383—Pair OLD STAFFORDSHIRE Ova DisHEs 
Y a Landscapes with negroes. Borders of palm trees and fern 
——~ _ leaves in blue. Impressed mark. Stevenson. 


Length, 101% inches. 


384—OLDpD STAFFORDSHIRE SMALL PLATTER 
ine Blue and white willow tree decoration. Impressed mark. 


Length, 9 inches. 


' 385—Oup STAFFORDSHIRE PLATTER 


eee. - Blew de Nankin decoration in Chinese style. 
cis Length, 12 inches. 


386—Two Derr PLatTEs 
Baskets of flowers and penciled scroll borders in cobalt-blue. 
Gao Diameter, 834 inches. 


387—Detrr PLATE 
/ Ke Thickly covered with blue flowers and fruit in Chinese style. 


Diameter, 101%, inches. 


$88—Pair Detrr PLATEs 
Thickly covered with flowers and foliated plants in blue. 
oe Diameter, 9 inches. 


3889—Larce Dreutrr PLate 


Decorated in cobalt-blue. Figure of Justice in center. — 


ea Ge Renaissance and diapered border, with panels of birds and 
flowers. 
Diameter, 131% inches. 


390—Larce OLp EncuisH PLATTER | 


Decorated in two shades of blue. Central decoration of 


vase, flowers and sprays. Border of Renaissance and dia- 


ius 
pered ornament. 


te s 


15 inches by 19% inches. 


391—Larcr OLp Eneuisn PLatrer 


Blue and white willow pattern. . 3 . 
es Ades Length, 221%, inches. 


hs 302 NAnuIn PLATTER 
Celadon glaze with floral sprays in blue. 
/ Length, 12% inches. 
393—NankKIN PLATTER 
Flowers and rocks in colored enamels and bleu de Nankin. 
Zo Length, 1134 inches. 


394—NaANKIN PLATTER 
Phenix, dragons and mythical animals decorated in enamel 
colors and bleu de Nankin. 


VERY FINE JAPANESE LACQUERS 


395—VeERMILION LacauER SAKE SAUCER 
Figure of street performer and monkey, and blossoming 
ee 00 plum tree in gold and other lacquer. Signed. 


Diameter, 414 inches. 


396—VeERMILION LAcquER SAKE SAUCER 
2h ae Fujiyama and dragon in clouds. Signed; in gold and other 


lacquers. 
Diameter, 334, inches. 


397—VeERMILION LacauER SAKE SAUCER 


| With similar decoration to No. 396. 
7 ne go Diameter, 3% inches. 


3898—Set or THREE SAKE SAUCERS 


De 


Vermilion lacquer, with views of Mount Fujiyama, pine grove 
and water, finely executed in gold lacquer. 


| 399—SakE SAUCER 


Silver lacquer with landscape in India ink. The under sur- 
AL oo face gold with imperial crests. 


Diameter, 41% inches. 


400—Two VERMILION LAcQuER SAKE SAUCERS 


One decorated with Turtles of Longevity in gold, the other 
i Sevity g 
Wie i with storks. 


— 
401—T'wo Vermition LacauER SAKE SAUCERS 


One with mountainous landscape and river view, the other 
Ad) g¢ __—~with pine tree, rocks and stork. Penciled in gold and other 


lacquers. 


402—Vermition Lacquer Sake SAUCER 
Mountains, garden view and palaces finely executed in gold 
and silver lacquer. 


Jj G6 


—_—_—— 


Diameter, 54,4 inches. 


403—TxurRrE Larce VERMILION SAKE SAUCERS 


All decorated in gold lacquer, one with the sacred pearl, one 
with pine cones, and the other with detached cherry blos- 


od 
oh .  soms. 


404—Inro 3 
Dull gold ground with Howo birds in relief, in different 
J Oe shades of gold. Signed by Jokasai. 


405—Iwro 
,o Polished gold ground with scattered cherry blossoms in re- 
/ 0 — lief, in different shades of gold. Signed by Seisen. 


406—Inro 
i. ; Polished black ground, entirely covered with microscopically 
— penciled gold caligraphy, stating the titles of five hundred 


poems. 


407—Inro 
, Pattern wrapped vertically, showing fine gold ground at 
—~ the sides. Very delicate work. 


408—Ouxp Ivory Inro 
Skilfully carved in wicker basket pattern. 
go 


me 


409—Iwnro 
Chrysanthemums and imperial crests in gold and bronze lac- 
/3¢* quer on a dull brown ground. 


410—Iwro 

/ Polished black lacquer, with decoration of bamboo and man- 

i g¢  darin ducks in gold lacquer and inlaid mother-of-pearl. 

Signed by Koma-Koiorin. 

411—Iwnro 

Black lacquer, with swimming carp and aquatic plants deli- 

is tan cately penciled in gold and silver lacquer. Signed Kanshio- 

ee sal. 

412—Iwro 


Two circular panels incrusted with flower and insect in 
/ ~d.%% _ jade and porcelain, on a nashiji ground. Signed by Koma- 
Kenya. 


~413—Inro 


im Polished gold ground with sprays of convolvulus in red, dark 
// ** green and gold in slight relief. 


414—Inro 
Polished black ground decorated with numerous figures in 
ao 5 “landscape in silver, gold and black. Fine work by Shiomi 
(signed). 


~ 415—Inro 
Tsui-shu lacquer. Landscape with figures carved in relief 
ny g “2 upon brocaded ground, and symbols at each end. Bronze 
- ojime, shaped as a temple drum with the Mitsu-tomoye on 
each side, in black, and a netsuke of Tsui-shu lacquer. Fine 


old work. 


416—Inro 


a ‘Polished black ground with a figure on each side in gold, red 
ao __ and silver. Nashijiends. Shaped as a flattened barrel. 


417—Inro 
Polished black ground with dragon flies on both sides, in red, 
qe black, gold and silver. Wings incrusted with powdered 
"mother-of-pearl. Nashiji sides and ends. Signed Igarashi 
Shunsai. 


418—LarceE Inro 


Gold lacquer landscape in relief on a rich mosaic gold 
% 5 ee ground. In six compartments with sides and ends in black 
Bs and gold. By Kajikawa Ist. 


419—Iwnro 


Polished black ground with girls gathering flowers, in green, 
red and gold. Wooden netsuke and inlaid lacquered ojime 


AL 72% tocorrespond. Very fine example by Shunso (signed). 


420—Inro 


/ 7 v‘ Polished silver ground with two birds and a sheaf of millet, 


beautifully penciled in black and gold. Signed by Shiomi. 


421—Inro 


Carved ivory. A legend and blossoms richly and elaborately 

JI2** encrusted with coral, tortoise shell and pearl. Signed by 
Shibeyama. One Tsui-shu and one incrusted ivory ojime, 
with an old brown ivory Manju netsuke attached. 


422—-Woop Tosacco Povucu 
Carved to represent plaited bamboo, incrusted with utensils 
tends of the tea ceremony in various woods and ivory. Carved 
~~ ojime and netsuke attached, the former representing a re- 
cumbent horse, in wood, by Tomotada. 


423—Tosacco Poucu 


Natural wood incrusted with a faience duck, bamboo leaves, — 


ye ¢. and large silver moon, in gold, pearl and colored lacquers. 
~ Has a green porcelain ojime, and faience netsuke represent- 
ing an octopus escaping from a broken jar. Faience seal 

of Ritsuo. : 


424—Woop Tosacco PoucH 
/ a0 Finely carved in low relief with conventional ornament. 


425—Inro 


Guri lacquer with polished black surface on a conventional 
oA ¢ <* _ design which shows the different layers of lacquer. 


426—Prierst’s SymMBoL 


Carved orangewood. Fungus design with loose wooden chain 
J —— attached. 


427—JAPANESE JEWELRY Box 


Finely polished wood showing beautiful grains. 
pe eras 


428—JaPanEsE Esony Box 


3 Skilfully carved in relief. “A Hundred Sparrows in 
hoe. Flight.” Signed Kakuho. 


429—Smatu Square Woop Tray 
‘ : as re Incrusted with porcelain and lacquered emblems. Signed. 
430—JapanEesE Mintature Box 

Shaped as an orange, with a mouse on the lid tearing off the 


| iy é¢__—c rind, in relief. Signed Shokin. 


431—Toxacco Poucnu anp Pipe Case 
In leather. Handsomely marked. Clasps and other mounts 
/,25e mm silver, representing Fujiyama, dragons and clouds. 
—— Kagami-buta, with silver dragon attached by fifty-four 
silver chains. | 


432—AnTIQUE Bamsoo Prirr Case 


~»  Ornamented with bird on a bough. Flowers and rocks in 
—— old carving. Signed Masatsugu. 


433—VeERMILION Lacquer Piet Case 


: ,, Mounted in gold. Finely carved with peacocks, flowers, 
ode _ sparrows and grasses. 


434— JAPANESE FrowErR BAskKET 


Very fine workmanship, finished in dark brown. Signed 
eal FG Arima. 


435—Set or MINIATURE TABLETS 


| Natural wood, lacquered and incrusted with birds and flow- 
& ae ers on one side, and having poems written in gold on the 
foe other. 


436—SMALL JAPANESE CoMB 


? Tortoise-shell, carved and decorated in gold lacquer. 
ae 


4387—Set or THree Datimio Harr ORNAMENTS 
66 


<< Decorated in gold and other lacquers. 
438—VERMILION LacauEr SAKE Cup 


f ne Decorated on the inner and outer surfaces in gold lacquer 
—— with fungus, peacock feathers and foliated scrolls. Has 
teakwood stand. 


439—Sma.ut Perrume Box 


In tsui-shu (carved red) with pine and plum branches on a 
Sgt diapered dark green ground. 


440—PERFUME Box : 


Polished black lacquer, with disks, cords and tassels pencile 
e ¢° in red gold. 


441—SQuaRkE SAKE Cur 


Polished black lacquer with gold and silver foliage on the 
outside. Brilliant red ground within. <A top border and 

og“ central circle of gold and silver maple leaves on a gold 
ground. 


442—-PERFUME Box 
‘ Polished black lacquer with sprays of cherry blossoms and 
By at maple leaves penciled in gold. 


443—Mintature DespatcH Box 
Polished black lacquer with gold flowers and grasses. Sil- 
5 2° ver and pearl handles. 


444—Patr MInIATURE TRAYS 


ae Polished black lacquer with dandelions and grasses in gold. 


445—CircuLarR PerFuME Box 


Polished black lacquer with portrait of Uzume, Goddess | 
/ 3 ‘— of Mirth, in gold. Nashiji interior. 


Diameter, 334 inches. 


446—INCENSE eee 


< Polished black lacquer. Grasses in gold lacquer. Flat old 
: o ae ivory lid and metal lining. 


44°7—CircuLar PerrumMe Box 
Polished black lacquer, with cherry blossom decoration 
je » finely executed in gold, silver and red lacquers. 


—— 


Diameter, 334 inches. 


448—Buriack LaceuER PerrumE Box 


& 4 Lotus and leaf scrolls in gold, silver and red lacquers. 


449—Incense Burner 
| Polished black lacquer inlaid with prunus spray in colors. 
) y ec Blossoms carved in high relief. Domed brass cover of 
~~ pierced honeycomb pattern. Metal lining. By Shunsho 
(1726-1792). 


Diameter, 3%, inches. 


450—Oup CHINESE SQUARE TRAY 


G Imperial garden scene with figures intricately inlaid in 
dh mother-of-pearl. 


é 31%, inches square. 
451—PrrrumMe Box 
Polished black lacquer, decorated with peacock: feathers ex- 
Je quisitely penciled in gold lacquer. Interior finished in dull 
-—.. gold. 


Height, 3 inches; diameter, 3 inches. 


452—SMauLu Perrume Box 
A] v6 Flat, oblong shape, in silver lacquer. Decoration outside, a 
black pedestal lantern with small black and gold writing box. 
The interior finished in gold and decorated with a reclining 
lady reading’ a silver scroll. 


453—SuPerB PerrumME Box 


In gold lacquer, with mother-of-pearl maple leaves scattered 
Oo x “2 ona stream and sprays of chrysanthemums beautifully exe- 


— 


cuted in raised gold. Interior finished in nashiji. 


454—PERFUME Box 


Representing a bird cage. Decorated in gold and other lac- 
yas quers. The cover ornamented with incrusted spray of 
chrysanthemums. 


455—Muinvute Goip Lacever Box 
Flat, square shape. Mountainous landscape and waterfall 


32 in polished and raised gold. Nashiji interior. 


456—MinuTe Goup LaceuEerR Box 


co Flower shape. Chrysanthemums delicately executed in 
- raised gold on a polished gold ground, 


457—Goup Lacever LozENGE-SHAPED Box 


; Profusely ornamented with overlapping cherry blossoms in 
i ge green and red gold lacquers. 


458—Goup LaceuER PERFUME Box 


Square shape. On the lid Daruma in a red cloak looming 
out of the darkness, and on the under sides of box a shadow 


PLS appears. Signed Koma Kiosu. 


459—Surrers Perrume Box 


Double fan shape. Finished and exquisitely decorated in 
Oo ov? gold, silver and other lacquers. Interior of nashiji. 


460—MiniaturEeE Writer’s Box 


Polished black lacquer. Iris in gold lacquer and paths in 


call, 8° mother-of-pearl. Interior finished in very fine nashiji. 


461—Svurers Lacaver Box WN 

| Representing a book, with a bough of cherry blossoms and 

; title in gold, silver and pearl inlay on a black ground, and a 
ae oe running stream with flowers on the under side in gold. A 

| _ silver lining with scattered red and green maple leaves. 


462—Goup LacevEer Box 


Peach shape. Polished gold with its own leaves and stalk in 


/S <_ different shades of gold. 
Length, 3° inches. 


463—CircuLar Perrume Box 
Polished black lacquer. Decorated with a gold and red de- 
~ 2 52  spatch box on the top, and with brocade and scroll borders 


round the edge. Nashiji interior. 
Diameter, 334 inches. 


464—Goxip LacevEer Box 
"4 +, Square shape, with indented corners. Flowers and grasses in 
0 vaised gold. 
Qu, inches by 3%, inches. 


465—LozENGE-sHAPED Box 
Polished black lacquer. With Taikobo’s Legend in colors 
{3-2 on the lid, and the Takaramono in gold round the side. Fine 
: example of Shunsho (1726-1792). 
Height, 31, inches; length, 4°, inches. 


466—Ivory Ostone Box 
Decorated with wistaria and various insects incrusted in 


/ol- ‘2 mother-of-pearl, coral and tortoise-shell. 
Length, 35% inches. 


467—Goxp Lacaver Sevare Box 
With impressionistic treatment of a castle in pearl and lead 
Petige (On A dome-shaped lid. Of the Korin school. 
ee Height, 3 inches; length, 342 inches. 


468—BEAUTIFUL SWEETMEAT Box 


In two compartments, with tray. Polished black lacquer, 
decorated with mountainous landscape and foliage beauti- 

(eg ~ “fully executed in penciled and raised gold. Tray decorated 
to conform, and interior finished in fine nashiji. 


Height, 2%, inches; length, 334 inches. 


469—SMauu CABINET 


A Of young ebony wood, containing seven drawers within en- 
a a — closed doors. Ornamented with wistaria, maple leaves and 
floral medallions in gold lacquer. Silver mounts. Signed by 


Hiromasa. 
Height, 334 inches; width, 334 inches. 


4°70— Brack Lacquer GirosuLar Box 
Wistaria blossoms and net design executed in raised gold. 
/ st Nashiji interior. 
Se Height, 314 inches; length, 4 inches. 


4°71—SurEers MIn1iaturE Manuscript Box 


Ornamented with various fan designs beautifully executed in 
age raised gold and other lacquers on a black and gold mosaic 
ground. Interior of fine nashiji. Mounted on a gold and 
nashiji stand. 

Height, 2 inches; width, 31% inches; length, 434 inches. 


4°72—W Rr1TER’s Box 


Polished black lacquer. Decoration, a rich brocade robe in 

4 742 red and other colors, draped upon a gold and black lacquer 
—- frame. On the inner surface of cover, a priest’s symbol 
(futsujin) in relief. Fitted with silver crescent-shaped 


water-vessel. 
Width, 5%, inches; length, 51% inches. 


473—Tsui-sHu (Carvep Rep) Laceuver Box 


On the lid, “The Worthies of the Bamboo Grove,” and on 
laa ea the sides and ends floral motive and sparrows, modeled in 
high relief. 


474—SuPEers Gotp Laceuer Box 
With tray inside. The box representing a precious book 
/ wrapped in an elaborate gold brocade cover of exquisite 
——-CG oO e 
S) —_ Workmanship. : 
Height, 142 inches; width, 3%, inches; length, 342 inches. 


475—Beravtirut Lacever Box 
| Shaped as three intersecting boxes, in polished gold, with 
; landscape, foliage and flowers artistically rendered in many 
iG UO“ shades of gold and silver lacquer. A tray inside is of similar 


workmanship. By Harui. 
Height, 4 inches; length, 10 inches. 


476—Svurers Goup Laceuer Box 
re Square shape, on four low feet. The outer surface of fine 
a go quality «of polished gold lacquer, and embellished with 
f —— flowering plants, butterflies and sparrows, inlaid in mother- 
of-pearl. The inner surface is of nashiji and decorated with 
symbols (mitsu-tomoye), pierced at the sides and mounted 


in silver, 
Height, 31% inches; length, 51% inches. 


477—Writine Box 
Nashiji ground inside and out, with scroll and trellis design 
interspersed with Tokugawa crests in gold on the outer sur- 
ea) «e face. The cover, inside, has two gold storks in landscape. 
~~ Fitted with a full set of writer’s implements, consisting of 
two gold lacquer brushes, ink holder, knife and paper piercer, 
and furnished with slate inkstone and chased and carved 


silver water vessel. 
Length, 91% inches. 


478—Korin Writine Box 
In polished black, with impressionistic treatment of hut roofs 
: in pearl, lead and gold lacquer upon the dome-shaped cover. 
1 el Inside, a branch of maple leaves in similar work. Fitted 
with slate inkstone and with engraved brass water-vessel. A 


fine example of Korin (1660-1716). Signed. 
Length, 91% inches. 


479—Burack LaceuEer Ostone Tray 


Various fan designs, composed of natural floral sprays, deli- 
2 °° cately penciled in gold, silver and colored lacquers. 


Width, 71/, inches; length, 1034, inches. 


480—CircuLaR PLAQUE 


- With black central panel richly incrusted with a basket of 
Ws e 20 flowers, executed in carved ivory, mother-of-pearl and coral. — 
~ Brown lacquered border, decorated in red and gold. 


Diameter, 1234 inches. 


481—O.p Curinese Learuer Despatcu Box 


Finished in vermilion lacquer and ornamented with floral 


io motives and butterflies, with embossed work and gilded. 


Height, 2% inches; length, 131%, inches; width, 71 inches. 


482—Oup CuinEsE VermMiItion LacauER Ostone Box 

Of cut leather. Central panel of birds and peonies, and end 
panels of swastika fret, all of which are surrounded by a leaf 
U ——~  seroll border. The sides and ends are of geometric design. 


Length, 1714 inches; width, 41%, inches. 


483—BeEavuTIFuL OLp CHINESE Manuscript Box 


Black lacquer finish. The entire outer surface covered with 
a swastika fret inlaid in mother-of-pearl. Decorated with 
of ——. three dragons, executed in raised gold and other lacquers. 


Height, 5 inches; length, 15 inches; width, 12 inches. 


484—Manuscriept Box 


Polished black lacquer. Decorated with a sleeping cat and 
branch of peonies in gold, red and silver lacquers in high 
<] “7 and low relief. Silver mounts and nashiji lining. A very: 
fine specimen of Kajikawa 1st (about 1781), signed with his 


seal. 
Height, 5 inches; length, 151% inches; width, 12 inches. 


485—IMPERIAL SWEETMEAT Box 
Hexagonal, with indented angles, in three tiers. Entirely 
i covered with checker pattern in shades of gold and with a 
fd @ large Tokugawa crest on the cover. Nashiji lining. Once 
ea in the possession of the daughter of the Prince of Satsuma. 
Height, 12 inches; diameter, 101, inches. 


486—BravutTiruL Manuscript Box 


Of Japanese pear-wood. Artistically embellished with quail 

pe es and floral motives in ivory, pearl and tortoise-shell. Lined 
— with blue brocade. By Shibeyama. 

| Height, 5% inches; length, 15 inches; width, 13 inches. 


487—Manuscriret Box 
Fine-grain polished wood. Top of lid ornamented with a 
ya faience figure of a Japanese lady in flowing brocade robe; 
_ inside of lid with floral motives in gold lacquer. By Kenya. 
_ Height, 6 inches; length, 1714, inches; width, 13 inches. 


488—SMALL CHINESE TEAKWOOD CABINET 
| With four drawers, the faces of which are decorated with 
ue pike flowers, fruits and poems, inlaid in mother-of-pearl. 
Height, 1314 inches; width, 10 inches. 


489—O.p CHINESE SMALL CABINET 
Teakwood, with six drawers and enclosure. The front panels 
of drawers and sliding doors of enclosure are of orange- 
4 Qs? wood, the embellishment throughout, which is artistically 
~~ treated, consisting of floral scrolls, dragon flies and butter- 
flies, executed in relief carving and mother-of-pearl. 
Height, 121% inches; width, 1014 inches. 


490—CurneEssé TEAkwoop CABINET 
With eight drawers and top enclosure. The front panels of 
lA drawer and sliding door to enclosure are of orangewood 
25? with carved openwork floral scroll pattern, incrusted with 
mother-of-pearl. Metal mounts. | 
Height, 14 inches; width, 13 inches. 


491—Patir CyuinpricaL VASES 


Of orangewood. Elaborately ornamented with skilful relief 
,. carving and undercutting of numerous storks, bamboo grove 
ae 0 and sparrows. Finest workmanship by Masanao. 


Height, 14 inches; diameter, 7 inches. 


492—-H ANDSOME JAPANESE CABINET 
With numerous drawers, shelves and enclosures. Finished in 


se ke cherry lacquer, and decorated with branches of cherry blos- 


soms in gold, red and black lacquer. The doors of enclos- 
ures ornamented in relief with winter landscapes executed 
in various pigments. 

Height, 32 inches; width, 26 inches; depth, 12 inches. 


493—Oup CHINESE TEAKWOoOoD Box 


Fitted with tray. Plain polished surface, brass mounts and ~ 


4 C8ee ‘handles! 


ese 


Height, 64, inches; length, 10 inches. 


494—Oup Curnssse TEaxKwoop Box 


With three compartments and handled. Tray has brass 


o go mounts. 
rite — Height, 101%, inches; length, 151% inches. 


495—Sevuare TEAKwoop STAND 
With openwork panels and India marble top. 
Go 
Nee rec Height, 8 inches; length, 12 inches. 


496—Carvep TEAKwoop STAND 


Tall, octagonal shape, with carved openwork panels and 


/ Vad — slender legs. 
Height, 15 inches; diameter, 11 inches. 


4964a—Carvep TEaAkwoop STAND 


Circular shape, with dragon-scroll legs and openwork panels. 
ae 


ys 
/ Shera Height, 8 inches; diameter, 13 inches. 


EVENING SALE 
_ THURSDAY, APRIL 17, 1913 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8.15 o’cLocK 


(PROPERTY OF MR. WALTER MANCHESTER) 
JAPANESE COLOR PRINTS 


(All the Japanese prints are mounted within either Japanese or 
. toned paper; hinged mats) 


497—GakUTEI 


. (Pupil of Shunsho and Hokusai.) Blackbird perched on 
chin torii in front of the crimson sun. 1820-1840. 


498—GAKkUTEI 


pte (Pupil of Shunsho and Hokusai.) Lady and boy in a gar- 
— den. Border of impressed cherry blossoms. 1820-1840. 


499—GakUTEI 
(Pupil of Shunsho and Hokusai.) Two ladies and a child in 


: o a a garden. Printed in low tones and enhanced by patterns 
impressed in silver. 1820-1840. 


500—GakUTEI 


(Pupil of Shunsho and Hokusai.) A seated male figure, 
O %° richly robed, with metallic background and impressed pat- 
terns in gold and silver. 1820-1840. 


501—Hrrosuice Ist 

see Snow scene at night. Figures crossing a bridge; Fuji in 
— the distance. 1796-1858. 

502—Hirosuice Ist 


,> Figures in a heavy rainstorm, pine grove in the background. 
—~ From “The Tokkaido Series.” 1796-1858. 


503—H1rosHicE Ist 


{ Ape Female figures by the lakeside heating cloth in moonlight. 


One of “The Six Delights of Tamagawa.” 1796-1858. 


504—Hirosuicer Ist 
hi oo Two fishes. From “The Fish Set.” 1796-1858. 


505—Hirosuice Ist 


i. Bird on bough of blossoms. 1796-1858. 


Jf e . e 
“ — From Monsieur Clemenceau’s Collection, Paris. 


506—Hirosnicr Ist 


A fan design of chrysanthemums upon a dark-blue ground. 
7 Rare. 1796-1858. 


507—HirosHicrE 2npD 


Mountainous landscape and river view seen through a half- 
fe we opened circular window. 1840-1865. 


Ne tees 


508—HirosHIGE 2nD 


5 Lake scene with tree and rock in the foreground and moun- 
7 “2 — tainous landscape in the background. 1840-1865. 


“509—Hirosuicre 2nv 
A street procession. 1840-1865. 


/é | J10O—HrrosHicE 2nd 


oN Eagle and winter landscape. Brilliant impression. From 
the “Hundred Views of Yedo.” 1840-1865. 


Bei 511—Hrosnice 2np 


i . Me Lake scene with distant view of Mount Fujiyama. From 
i yy — the “Hundred Views of Yedo.” 1840-1865. 


? 512—Hirosuice 2np 
Cranes alighting in the marshes. From the “Hundred Views 
of Yedo.” 1840-1865. 


708 
g ——— 


513—Hirosnicr 2np 


Snow scene with figures crossing a bridge at night. From 
the “Hundred Views of Yedo.” 1840-1865. 


51 4——H1rosHick 2np 


Snow scene with two bridges, and Fuji in the distance. 


hb 1840-1865. 
bBo 


Bis Eine SHIGE 2ND 


Winter landscape with mountains in the foreground and 
Be eesh river in the distance, and falling snow. 1840-1865. 


516—Harunosu 


A seated Samurai, served with tea by a young lady. Land- 
Pag 22. scape background. Fine impression, 1705-1772. 
From Monsieur Clemenceau’s Collection, Paris. 


517—Harvnozu 
as Domestic group of three figures and a child. Fine im- 
Pod pression. 1705-1722. 


518—Hrrosnice 


782 


519—Hokv’xKEI 


Snow-clad mountains, cascade and river. 1796-1858. 


5 Pupil of Hokusai. A warrior in full armor holding in his 
fe richt hand a bow.~ 1820-1856. 


520—Hokv’ KEI | 
fe Pupil of Hokusai. A carp leaping from a tub. 1820-1856. 


521—Hoxv’xe1 
2) a A warrior and dragon in combat. 1820-1856. 


5§22—Hoxv KEI 
) se Blossoms and emblems. 1820-1856. 


§23—Hoxvu’ KEI 


me Group of five male and female figures seated under the 
/ ao boughs of a cherry tree. 1820-1856. 


524—Hoxv’ KEI 
Vie Man bathing horse’s foot in a tub of water. 1820-1856. 


525—Hokv’ KEI 


es Still life. Two fish on a porcelain tray, and tobacco 
—>- pouch. 1820-1856. 


526—Hoxv KEI 
oy oo Black lacquer box with blue and white bowl, and brush. 
1820-1856. 


52%7—Hoxvsal 


/G +2 A set of seven black and white prints, “Illustrations of 
~~ Chinese Poems.” 1760-1849. 


Average size, about 7% to 9Y, inches. 


528—Hoxvsal 


Mount Fujiyama in the snow. From ‘Hundred Views of 
Fujiyama.” In monotone. 1760-1849. 


GO 
529—Hoxvsal 


par Group of cranes standing, Fuji in the distance. In black 
—~ and white. 1760-1849. 


530—Hokxvsal 


The Goddess Konohana Sakuyahini. Black and white. 
pura 1760-1849. 
— 


531—Hoxvsal1 
/ $e Set of three small landscapes and figures. 1760-1849. 


532—Hoxvsal 


Hw | Branch with persimmon and grasshopper in finely combined 
—~ low tones. 1760-1849. 


5383—Hokxvsal 


i's 


——  Fukurokuju and lady attendants pouring sake into a large 
saucer which Fukurokuju holds. 1760-1849. 


534— Hoxusal 
“The Red Mountain.” Snow-capped. 1760-1849. Fine 
A, ‘¢ impression. In perfect condition. 


.5385—KunisaDAa 
| A male figure seated and surrounded by toilet requisites. 
J5 °4 Printed in low tones and enhanced by impressed patterns 
a in silver and gold. 1785-1864. 


5386—KunisaDa 
A An actor en réle, printed in low tones and enhanced by 
oe impressed patterns in silver. 1785-1864. 


537—KunlisaDA 
ae A female reclining figure, reading a letter. 1785-1864. 
Reta, 


538—K unisaDA 
VAC A bridal procession in beautifully combined tones of pink, 
~ violet, green, yellow and lavender. 1785-1864. 


From Monsieur Chemenceau’s Collection, Paris. 


589—Kunryvasu 


2) A lady seated, admiring a dwarf plum-tree. Printed in 
——~ delicate tints and impressed in white and silver. 1805-1836. 


540—KuntyosH1 


A lady reclining in a palanquin. Printed in fine colors and 
/ 0 °“*~ impressed with gilding and silver. 1788-1861. 


541—K unryosH1 


3 ; Warrior on horseback in water. Printed in brilliant colors. 
“1788-1861. 


542—KunIiyOsHI 


A girl stretching out blue printed cloth to dry. In brilliant 
3% tones of red, green, purple and blue. 


543—K unIyYOSHI 


See Urashima and his dream, which is depicted in the distance. 
~~ Printed in low tones of red, green, brown and yellow. 1788- 
1861. 


544— K untyvosHI 
Original outline design, unfinished, of warrior and a demon in 


(Ate Gane combat. (Tsuna?) 1788-1861. 


545—Oxumura Masanosu 
Group of four female figures, two seated and two standing. 


ol ucse 1685-1764. 


546—Oxumura Masanosu 
An album of black and white Japanese wood-prints. Do- 
ras ge mestic and legendary subjects. 1685-1764. Bound in ~ 
Japanese style, with an added brocade cover. Perfect con- 
dition. | 


547—Tacuipana Morikunt 

ay A set of ten black and white prints of figure and landscape 
Bearee” subjects. (Probably cut from a book.) 1670-1748. 

4 From Dr. Ernest Hart’s Collection. 


§48—ReEvsEn 
cs do Female casting a spell over a goat. 
cope: 


549—Suinsat 
J #2 (Pupil of Hokusai.) A group of emblems, delicately printed 
_“ ~~ in harmonious colors. 


550—SHUNCHO 
Triptych. Ladies and children promenading. Printed in 
roe tones of green, yellow and black. 1785-1810. 
— From Monsieur Clemenceau’s Collection, Paris. 


551—Katsuxawa SHUNCHO 


ae A man seated, with a pipe, and a lady standing. 
0 ——~ From Monsieur Clemenceau’s Collection, Paris. 


552—Karsuxawa SHUNCHO 
| Two richly robed ladies promenading. In delicate tones of 
rs 7 <“ pink, green, yellow and lavender. 


553—KatTsukKawA SHUNCHO 
Two children playing and a lady in the background. Printed 


y A 24 in fine combination of colors. 


554—KatTsukKawA SHUNCHO 
Group of three figures, at the sea coast. In delicate tones 
JL S? of yellow and black. 1785-1810. 


555—KatTsukKawa SHUNCHO 
Three female figures on a eae overlooking a river. 1785- 


Les 1810. 


556—KatsuKAWA SHUNKO 
An actor in black robe and pink obi wearing two swords 
a  — and holding an umbrella. 1785-1810. (Signed Yeddo, 
about 1770.) 


557—Katsukawa SHUNKO 
jy Richly robed male figure. (Signed Yeddo, about 1770.) 
/ aoe 
558—KatTsukawA SHUNSHO 

A lady in blue and violet robe. 1726-1792. 


2 ov 
ay 
559—KatTsukawa SHUNSHO 
A lady in a flowered blue and violet robe. Unusual. 1726- 


A Soe) 


560—Katsukawa SHUNSHO 
see An actor, richly robed and holding a fan. 1726-1792. 
561—KatTsvuxkawa SHUNSHO 
A lady wearing an elaborate robe, standing in a garden. 
“ 7 ‘* In delicate tones of pink and green. 1726-1792. | 


562—KatTsukKAwAa SHUNSHO 
a A lady seated, and another looking through a screened 
3 opening in the background. 1726-1792. 


563—KaTsuKAWA SHUNYEI 


> ;) (Pupil of Shunsho.) A lady in a black and green robe, with 
O =~ 4 delicate pink obi. A fine impression in low tones. 1761- 


1819. 


564—KatTsuKAWA SHUNYEI 


An actor in a drab and gray robe unsheathing a sword. 


Ad ‘t 461-1819. 


- 


565—SHUNMAN 
| Portrait of a lady. 1780-1800. 


66 


— 


566—Torvoxunt Ist 


New Year’s festival. Group of four seated female figures in 
an interior. In fine tones of pink, purple, green and yellow. 


/0** 1769-1895. 


567—Toyoxun! Ist 
‘ A lady seated and holding a fan. 1769-1825. 
7a) 
yi y ae 
z: 568—Toyoxun! Ist 
Two actors in male and female costume. 1769-1825. 
Dee | 
569—Toyoxun! Ist 
A lady, richly robed, carrying a metal lantern. Fine tones 


| Fe | of brown, red, black and green. 1769-1825. 


570—Unknown 


| A set of six India-ink drawings on thin vellum. Figure and 
ae landscape subjects. 


571—Unxnown 
Original India-ink drawing of a deity with two figures in 
oteaee Chinese costume. 


572—Unknown 
oe Poems and plum blossoms in tones of pink, green and yellow. 
eet 


578—Unknown 
er 2 Spray of flowers on a tray. 


574—UnkKNOWN 


End of a temple roof, with the red sun and a tiger. ‘Bril- 
exis liant impression. aa 


575—UTAMARO 


Lady with a fan, in tones of blue, red and yellow. 1753- 
Ui uh poe 1805. 
576—Y EISEN 


| A lady making her toilet. In brilliant tones of red, blue and 
/ 0 black. 1790-1848. 


577—YEIsEN 


4 a«__ Lady and a bowl of red fishes. In delicate tones of pink, 
yellow, green and black. 1790-1848. 


578—Y EIZAN 


Three ladies promenading. In fine tones oe red, blue, pink, 
vy “* brown and black. 1800-1830. 


5'79—Y BIZAN 


A lady, richly robed and wearing a black and white obi. 
damit 1800-1830. 


580—YEIsuHI 


Triptych. Ladies and children visiting a flower show. In 
v ste yellow, delicate pink, black and green. 


581—YEIsuHI 


Triptych. Ladies on a balcony overlooking the Sumida 
river. Printed in delicate tones of pink, yellow, green and 
Jp black. Fine impression. 


From Monsieur Clemenceau’s Collection, Paris. 


) 


FRAMED JAPANESE PRINTS 


582—Set oF TWELVE Surps oF THE Daimios 
With their respective crests on the sails. By Hokusai 


i eee Katsushika (?). Each in a separate black frame. 


583—HirosHIcE 


Swimming ducks and reeds. Upright panel. Framed under 
glass. 1796-1858. 


ee / ‘ 
| a g From Monsieur Clemenceau’s Collection, Paris. 


584— Kortivusal 
Kakemonoye. Lady and hawk, Mount Fuji in the distance. 
2 ( “ Very fine print in low tones. Framed under glass. 1760- 
, 1780. 


From Monsieur Clemenceau’s Collection, Paris. 
3 


585—Kitrao Masonvuso 

Diptych. Domestic interior, figures of three ladies and 
child. Very fine print in delicate coloring and impressed 
pattern. Framed under glass. 1761-1816. 

From Monsieur Clemenceau’s Collection, Paris. 


} 


586—Toyoutro 
Diptych. Japanese domestic, balcony and garden scene; 
ladies engaged in serving tea, in writing and at other pur- 
S52 se suits. Framed under glass. 1773-1828. 
——~ From Monsieur Clemenceau’s Collection, Paris. 


587—Hoxusal 
Two-fold screen, with the artist depicted in contemplation 
I oe of a beautiful landscape in one panel, and sea-waves in the 
—— other. Finely painted on silk, with brocade and _ black 


lacquer mounting. 1760-1849. 


588—JAPANESE PAINTING ON SILK 


“oo 
Re sae 


Monkey on cherry bough. Framed under glass. 


589—Oup CHINESE PAINTING ON RicE PAPER 


me Flowers, butterflies and insects. Finely executed in natural- 
5 istic colors. Framed under glass. 


590—ArtistTic JAPAN 
English edition of a Monthly Illustrated Journal of Arts— 

5 and Industries, compiled by S. Bing. Edited by M. B. 
/ °* Huish. Bound with the colored covers in six volumes. 
Octavo. Publishers: Sampson Low Rivington, Limited, 
London. | 


(PROPERTY OF MISS IDA M. MANCHESTER) 


JAPANESE STENCILS 


Notice: The designs are principally of floral motifs, in 
geometric, naturalistic, and conventional treatment, no two 
being alike. All are in perfect condition, having been care- 
fully selected, and each one mounted in hinged Japanese, or 
toned-paper mats of the sizes given below. : 


591—TEn JAPANESE STENCILS 


ov 


Various designs of ferns, grasses, birds, gourds, ioe group 
is ee of masks and pipes. 


592—-Trn JAPANESE STENCILS 


ih a Birds and flowers, plum tree, diapers, leaf scrolls, tendrils, 
—— blossoming vine, shells, floating cherry blossoms, crayfish 
and fence with morning-glory vine. 


593—TEN JAPANESE STENCILS 


ounce Medallions of floral motives, leaf scrolls, lotus and pools, 
blossoming vines, fret, and other designs. 


594—Ten JAPANESE STENCILS 


Wave designs, fan pattern, storks, asters, floral motifs, 
me ’° scroll patterns, maple leaves and trailing vines. 


595—Ten JAPANESE STENCILS 
Floral and vine motifs, grasses, ferns, brocade and other 


“ae — designs. 


596—TeEn JAPANESE STENCILS 


cma Floral motifs, sea-weeds, arabesques, trailing vines, cherry 
~ blossoms, trellis, fret and pine branches. 


: 597—TeEn JAPANESE STENCILS 

es ae Turbulent water, wild flowers, fret and floral motifs. 
; 598—TeEn JAPANESE STENCILS 

. So te Fret pattern and arabesque. 


599—FourTEEN JAPANESE STENCILS 
4 Vie 4 ee Fret, floral motifs, grasses, sea-weeds, lattice and conven- 
i. tional design. 


600—Five JAPANESE STENCILS 


BY Maple leaves, iris, grasses, bamboo, and storks amid pine 
branches. 


GO e e 
ede Grasses, crests and wistaria, bamboo and cranes. 


: 7 601—F ive JAPANESE STENCILS 


602—F ive JAPANESE STENCILS 


a Pine amid cloud forms, flowering branches and floral motifs. 


—) 


603—Four Larcr JAPANESE STENCILS 
Carp and turbulent water, ferns, wild flowers and grasses, 


| H/ “with birds and Japanese fishes. 


| 604—Five Larcre JAPANESE STENCILS 
ae) go Floral motifs, grasses and ferns. 


605—F ive Larcre JAPANESE STENCILS 
ody %e_ Bird on plumb branch, floral motifs, and trailing vines. 


606—Fovur Larcrt JAPANESE STENCILS ; 
Swimming carp, crayfish in net, butterflies, and storks in 


Me 19 a6 tet: 
(THE PROPERTY OF MR. WALTER MANCHESTER) . 
ETCHINGS AND WOODCUTS 


BEHAM, HANS SEBALD 
1500—1550 


607—OrNAMENT WiTH Fish Heaps (Bartsch, No. 235) 
On copper. Superb impression. In black frame. 


ne 
BEHAM, HANS SEBALD 
1500—1550 


608—Coar or Arms witH Cock (Bartsch, No. 256) 
On copper. Very fine impression. From the St. John Dent 
Collection. In a tortoise-shell frame. 


Spay bah 
BURKE, THOMAS 
1749—1815 


609—“A Frower PaintTED BY VARELST”’ 
9 After Angelica Kauffmann. Stipple engraving in brown. 
Go 


Framed close, in circular gold frame. 


DURER, ALBRECHT 
14°71 —1528 


610—Tue Lirrie Horse (Bartsch, No. 96) . 
On copper. Superb impression, on paper water-marked 
A 7 2 & with the “Bull’s Head.” In tortoise-shell frame. 


-DURER, ALBRECHT ; 
1471—1528 


611—Tue Great Horse (Bartsch, No. 97) 

On copper. Fine impression, slightly repaired at top. In 

. tortoise-shell frame. 
ee 


DURER, ALBRECHT 
1471—1528 
: 612—Tue MarRriAGE OF THE VIRGIN AND JOSEPH 
| (Bartsch, No. 82) 
Woodcut. Brilliant impression before the text, on paper 


Oey, ¢e_—_-water-marked with a large “Shield and Crown.” _(Haus- 
mann, No. 45.) In carved Dutch frame. 


DURER, ALBRECHT 
1471—1528 


613—Tuer AncEL APPEARING TO JOACHIM (Bartsch, No. 78) 


Woodcut. Very fine and early impression, before the text. 
On paper with the water-mark of the “High Crown.” 
Us y oe (Hausmann, No. 21.) Very rare in this condition. 
Bima 


DURER, ALBRECHT 
14'71—1528 


614—Tue AporaTIon oF THE Maer (Bartsch, No. 87) 

Woodcut. Fine impression, before the text, on paper water- 

VA pe marked with a large “Shield and Crown.” (Hausmann, 
/ No. 45.) Has a printer’s fold in center. 


DURER, ALBRECHT 
14°71—1528 


615—Tue Frucut nro Ecyrrt (Bartsch, No. 89) 


Woodcut. Impression before the text. From the Von 
o 2 4* Nagler and Berlin Museum Collections. 


DURER, ALBRECHT 
14°71—1528 


616—Tue Repose 1n Ecypt (Bartsch, No. 90) 


Woodcut. Impression before the text, on paper water- 
[ 4°*{ marked similar to Hausmann, No. 22a. 


EARLOM, RICHARD 


1743—1822 
617—A Horsks’s Heap 


After Van Dyck. Mezzotint. In ebony and gold frame. 
ve 


GELEE, CLAUDE (or Lorrare) 
1600—1682 


618—Le Port pr Mer A ta Grosse Tour 


(Robert-Dumesnil, No. 18) 


vote Etching. Second state, with the number 9 in left hand 
~~ margin. In ebony and gold frame. 
From the Dr. A. Stréater and Carl Schloesser Collections. 


GOFF, COLONEL R. 
619—SunseET 
Signed artist’s proof, etching. In brown and gold frame. 
oo 


HAIG, AXEL HERMAN 


620—Tarracona CATHEDRAL 
Signed artist’s proof. Etching. Plate destroyed. In 
oS ahaa oak and gilt frame. | 


HAIG, AXEL HERMAN 


621—Tue Interior or DurHam CaTHEDRAL 
Signed artist’s proof etching, on Japanese paper. Limited 
to 425 impressions. Plate destroyed. In oak and gilt 


i oo — frame. 


HAIG, AXEL HERMAN 


622—CANTERBURY CATHEDRAL, [HE PILGRIM’s STEPS 
9 


3 Interior view. Signed artist’s proof etching, on Japanese 
ie paper. Plate destroyed. In ebony and gold frame. 


HALL, OLIVER 


623—Kine’s Lynn 
Signed artist’s proof. Lithograph. Stone destroyed. 


O- 
y oo LEYDEN, LUCAS VAN 
14941533 


624—Heap or a Warrior (Bartsch, No. 160) 
/ In red tortoise-shell and ebony frame. 


LEYDEN, LUCAS VAN 
1494—1533 


625—ComposiTIon 0F ORNAMENTS | (Bartsch, No. 161) 
od <“_ In black frame. 


LUCAS, DAVID 
1802—1881 
626—TueE CornFIELD 


After Constable. Mezzotint. Impression cut close and | 
y ye ald mounted on India paper for framing. Black and gold 


frame. 
MERYON, CHARLES 
1821—1868 
627—Sr. Evrenne-pu-Monr (Wedmore, No. 14) 


Etching. First state. The arms of the workman on the 

ih ertyg ladle lowest landing of the scaffold are raised above his head and 
close together. Very fine and brilliant impression, on 
Holland paper. 


REMBRANDT VAN RYN 
1607—1669 


628—Curist PREACHING (Bartsch, No. 67) 
Etching. Very fine impression, with burr. In red tortoise- 


hell frame. 
vA 7 7 eats : 


SHORT, FRANK 


629—Soutway FisHeErs 

Signed artist’s proof, mezzotint. Limited to 100 impres- 
3 sions. Plate destroyed. In oak frame. 
/ us | 


SHORT, FRANK 


630—SunrisE on Wuitsy Scaur . 
Signed artist’s proof, aquatint. Plate destroyed. In plain 


/ Vie frame. 


SHORT, FRANK 


631—SnHap Feit, WESTMORELAND 


After a water color by De Wint. Signed artist’s proof, 
v # mezzotint. Plate destroyed. In brown frame. 


a 


| SHORT, FRANK 
632—Wenstry Date 
After a painting by De Wint. Signed artist’s proof, mezzo- 
: / e ) tint. Plate destroyed. In ebony and gold frame. 


SHORT, FRANK 


633—ENTRANCE TO THE MERSEY 


; Signed artist’s proof etching. Limited to 50 impressions. 
¥ ie ,, Plate destroyed. 


SHORT, FRANK 
634—A Sussex Down 
After J. Constable. Signed artist’s proof, mezzotint. 
y, FF so Limited to 100 impressions. Plate destroyed. 


WARD, W. 
1766—1826 


—635—Tue Laveuine Boy 
After a painting by Murillo. Proof before all letters, on 
India paper. Mezzotint. : 


i ae 
WATSON, CHARLES J. 


636—A YarmoutH Row 
Signed artist’s proof, etching. Plate destroyed. In ebony 
ee and gold frame. 


WYLLIE, W. L. 
637—Bawtey Boats . 
Signed artist’s proof. Drypoint. Limited to 60 impres- 


fe oe SIOnS 
Plate destroyed. 
WYLLIE, W. L. 


638—Catm 
par ase Signed artist’s proof. Drypoint. Plate destroyed. 


WYLLIE, W. L. 
639—MovrtH or tHE Mepway 
y oe Signed artist’s proof. Drypoint. Plate destroyed. 
t 


(PROPERTY OF MR. WALTER MANCHESTER) 


WATER COLORS AND PENCIL DRAWINGS 


BALL, WILFRID 


640—ALBERT Direr’s House In NuREMBERG 
Water-color drawing. Signed. In gold frame. 
LY, NN 
CONSTABLE, JOHN. 
1776—1837 


641—Poruarp Oaks 
ay) oe Crayon drawing. 


a. 


GIRTIN, THOMAS 


1794—1801 
642—Pont Neur, Paris 
f ¢¢ Pencil drawing. 


"drawing. In us frame. | 
J fa ee ‘ : 


_ HUNT, WILLIAM 
1790—1864 


es . gies 
anys In gold frame. 


_ MUNN, P. Ss. 
17781845 


PROUT, SAMUEL 
1783—1852 


PROUT, SAMUEL 


* 648—Brois 


Pencil drawing. 


i PROUT, SAMUEL y 
649—VERONA 
Pencil drawing. 


Norte: The following described water colors by J. M. W. 
Turner were purchased by Mr. Manchester from Mr. Wil- 
lam C. Ward of Church Terrace, Richmond, Surrey, Eng- 
land, an acknowledged authority on all works of Turner. 
In a recent letter Mr. Ward states that the water-color 
drawings were bought by his father at Christie’s on March 
25, 1899, and speaking as an expert he has no doubt 
whatever of their authenticity. 


TURNER, J. M. W. 
1775—1857 


650—Tue Eneutsu Laxe District 
,. (About 1798.) Water-color drawing. In oak frame. 


/ art, 
TURNER, J. M. W. 


651—Tue Eneutsu Lake District 
(About 1798.) Water-color drawing. In oak frame. 
OO 
TURNER, J. M. W. 
652—Como (Italy) 
wy From a sketch by J. R. Cozens. (About 1799.) Water- 


color drawing. In oak frame. 


TURNER, J. M. W. 


653—Racian CAsTLe 
Pencil drawing. (From the Stokes Collection, London. ) 


at sary le 
VAN DE VELDE, WM. 
1633—1707 


654—Tue Dutcu FLEET In Harzgor 
Wy Qs Original drawing, signed. In oak frame. 


JAMES WARD, R.A. 
_ Ene iso 1769—1859 


[ASTINGs Brac ON A SeuatLy Day 


— 


ee oo ae Be eat 11 inches; length, 13 inches. 


_ (Property of Miss I. ‘Mancuesten) 


JAMES WARD, R.A. 
-Eneuiso 1769—1859 


- 659—F isuine Boats Orr Yarmoutu 7 y 

- ye ies oh ise Height, 12 inches; length, 18 inches. 
OO. | 

a i (Property of Miss I. MancuesTER) 


DAVID TENIERS tue Youncer 
Friemiso 1610—1694 


660—Puiayinc Bowus 


Height, 1614 inches; length, 19% inches. 
pee gry) seen (Property of W. M. MancuestTER) 


J. DAVID DE HEEM 
Dutcu 1600—1683 


661—Fruir anp FLowers 


Height, 36 inches; width, 2934 inches. 


4L SO — (Property of W. M. MancuesTEr) 


FRANS SNYDERS 
FriemisH 1579—1657 
662—A SpaniEL AND HERON In ComMBAT 
Height, 52 inches; width, 411, inches. 


o aot (Property of W. M. Mancuester) 


AMERICAN ART ASSOCIATION, 
MANAGERS. 


THOMAS E. KIRBY, 


AUCTIONEER. 


ave 


ares 
hi 


es 


ears Goch hingts PB™ Ey 


serene masseter 
Soa y 


ari 


